A SET OF FOURTEEN GEORGE III CREAM-PAINTED AND PARCEL-GILT DINING-CHAIRS
THE PROPERTY OF A PRIVATE COLLECTOR (LOTS 170-171)
A SET OF FOURTEEN GEORGE III CREAM-PAINTED AND PARCEL-GILT DINING-CHAIRS

CIRCA 1790

Details
A SET OF FOURTEEN GEORGE III CREAM-PAINTED AND PARCEL-GILT DINING-CHAIRS
Circa 1790
Comprising four armchairs and ten side chairs, each with a rectangular padded back flanked by detached fluted columns, with back, arms and seat covered in gray silk with gold and peach rope trim, the arm supports of baluster form with leaf-tip and fluted carving, on ring-turned fluted tapering legs, redecorated (14)
Provenance
Acquired from Apter-Fredericks Ltd., London.

Lot Essay

The design of this pair of chairs reflects the new, more archaeologically correct 'antique' taste introduced in England in the last years of the eighteenth century in emulation of the late Louis XVI and Directoire styles. This French influence was promoted by George, Prince of Wales and later George IV in the furnishing and decoration of Carlton House under the supervision of Henry Holland, and the oeuvre of the Parisian-trained menuisier François Hervé of John Street, London who was employed at Carlton House between 1783-94. Thomas Sheraton's designs in the 'newest taste' in his The Cabinetmaker and Upholsterer's Drawing Book (1791-94) shows closely related drawing room chairs illustrated in Plate XXXII of Part IIII of his Drawing Book.

A set of six closely related armchairs stamped by the prodigious maker B. Harmer was sold in these Rooms, 19 October 2000, lots 146-148. One of these chairs is illustrated in C. Gilbert, ed., Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1996, p.257, fig. 471.

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