拍品專文
This jug is a later interpretation of a design which was most popular in the middle of the sixteenth century. A small group of vessels were made with a deeper blue ground on which were scattered large cintamani designs divided by secondary paired motifs executed in the typical colours of 1550, as for example, a bottle in the Victoria and Albert Museum (Atasoy, Nurhan and Raby, Julian: Iznik, the Pottery of Ottoman Turkey, London, 1989, pl.320a). In the present jug, while the idea remains the same, the blue ground is much less intense and the drawing more powerful than the earlier examples.