A CARVED PEARWOOD MIRROR
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A CARVED PEARWOOD MIRROR

FLEMISH, CIRCA 1570

Details
A CARVED PEARWOOD MIRROR
Flemish, circa 1570
With a seated figure holding an hourglass and a skull above the inscription 'SITIUS ODIO/P. SEQUENTES/Q.D.MALV.EST', above a circular mirror with densely-carved strapwork and foliate frame and including owls and masks, above a second inscription 'ADHERENTES/EI.QD.BONV.EST.'; the reverse with a seated woman reading under the inscription 'BETERT VLEVEN', which is above the inscription 'DIE, NA, DE. VLEES/CHE LEEFT, SAL.STER', the central circular panel carved with Judith and Holofernes, above the inscription 'GEDENCT.DES/WYFS, LOTHS.', in a similarly carved strapwork and foliate frame, with putti flanking the central panel.
5¼ in. (13.4 cm.) high
Provenance
Karl Thewalt, Mayor of Cologne, 1903.
Sold from the Collection of Samuel Z. Yellin of Philadelphia, Sotheby's London, 13th July 1967, lot 78.
Literature
Molinier, Histoire des arts appliqués a l'Industrie, vol II, pl. 18, no. 3 (illustrated).

COMPARATIVE LITERATURE:
J.G. Mann, Wallace Collection Catalogues - Sculpture, London, 1931, no. S293, pl. 73.
S. Boorsch and J. Spike, The Illustrated Bartsch, 31, Italian Artists of the Sixteenth Century, New York, 1986, p. 334.
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium
Sale room notice
Please note that the provenance listed in the catalogue for this object is incorrect.

Lot Essay

The superb carving on this hand mirror is closely related to a carved wood pendant in the Wallace Collection, London (Mann, loc. cit.) in its material, carving style and design. The Wallace pendant is dated 1572, but both it and the present lot are certainly derived from engraved print sources from the school of Fontainebleau, which were widely available in the second half of the 16th century. These print sources, which disseminated Italian designs brought north to France, were used by wood carvers, enamellers, and goldsmiths among others. The present lot, for example, shows similarities to the work of engravers such as Georges Reverdy, who was active in Lyon between 1531 and 1564 (for an example of similar strapwork design by Reverdy see Boorsch and Spike, loc. cit.).

As with many domestic objects of the 16th century, the inscriptions here appear to be moralistic sayings. The main inscription on the reverse of the mirror is appropriate for the scene depicting Judith and Holofernes, in which the Assyrian general is beheaded by Holofernes when he attempts to seduce her. It can be translated roughly as 'He who yearns for the flesh will die', followed by 'Think of the woman's destiny'. At the very top above the seated figure reading a scroll is a line which translates as 'Improve your life'. The latin on the front is more difficult to decipher due to the many contractions, but seems to advise 'persecuting that which is evil and adhering to that which is good'.

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