Lot Essay
The present relief is traditionally said to have come from St. Bertrand de Comminges, outside Toulouse and, stylistically, it is consistent with romanesque carving from the Toulouse school. The delicately swaying stance of the figure, and the fascination with the rhythmic patterns of the drapery - surely inspired by a moorish influence emanating from nearby Spain - are comparable to figures from both Saint Etienne and Notre Dame de la Daurade in Toulouse, executed in the second quarter of the twelfth century and circa 1200, respectively (for illustrations of relief and capital figures from these churches see Ruprecht, loc. cit.). The distinctive halo seen here, is also a common feature of the St Etienne carvings.