TWO LOUIS XV ORMOLU-MOUNTED TULIPWOOD, AMARANTH, BOIS SATINE AND MARQUETRY TABLE A OUVRAGE
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TWO LOUIS XV ORMOLU-MOUNTED TULIPWOOD, AMARANTH, BOIS SATINE AND MARQUETRY TABLE A OUVRAGE

ONE BY JEAN-PIERRE LATZ THE OTHER ATTRIBUTED

Details
TWO LOUIS XV ORMOLU-MOUNTED TULIPWOOD, AMARANTH, BOIS SATINE AND MARQUETRY TABLE A OUVRAGE
One by Jean-Pierre Latz the other attributed
Each with a shaped hinged rectangular top surrounded by an ormolu rim with a deep fieze and on hipped cabriole legs headed by pierced foliate chutes and terminating with foliate-cast sabots; one decorated with a parrot perched on flowering branches and opening to reveal three silk lined compartments above a deep frieze fitted with a leather-lined writing slide and deocrated throughout with floral sprays, with a silk-lined fitted drawer to the right side, and stamped I.P. LATZ; the other decorated with floral sprays within a foliate cartouche opening to reveal a subsidiary hinged lid opening to a silk lined interior, the frieze fitted with a drawer to the right side, the underside with two stickers marked KKU 909 and 7/38
27¼in. (69cm.) high, 14½in. (37cm.) wide, 11½in. (29cm.) deep, each (2)
Provenance
Baron von Goldschmidt-Rothschild, Frankfurt-am-Main.
The late Sydney J. Lamon of New York, sold in these Rooms, 29 November 1973, lots 91 and 92.
Habib Sabet, sold in these Rooms, 9 December 1982, lot 52.
Literature
P. Kjellberg, Le Mobilier Fran/dcais du XVIIIe Si/gecle, Paris, 1989, p.488.
Alexandre Pradère, Les Ebénistes Français de Louis XIV à la Révolution, 1989, p.159, fig. 134.
Alexandre Pradère, French Furniture Makers. The Art of the Ebéniste from Louis XIV to the Revolution, trans. Perran Wood, London, 1989, p.159, fig. 134.
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium

Lot Essay

Jean-Pierre Latz, circa 1691-1754, ébéniste privilégié du Roi before 1741.

Jean-Pierre Latz (circa 1691-1754) was an artisan privilégié du Roi working in the rue du Faubourg St. Antoine and was thus never received maître. Among his patrons were Frederick II of Prussia and Augustus III of Poland. H.H. Hawley, 'Jean-Pierre Latz, Cabinetmaker', Bulletin of the Cleveland Museum of Art, Cleveland, September-October 1970, p.207, discussing Latz's style, emphasises the sculptural vitality of his furniture in combination with extremely realistic floral marquetry and inventive bronze mounts, most of which were made by Latz himself in direct contravention of Parisian Guild laws. Hawley suggest (p.210) that in view of the patronage of the Prussian King, it is likely that 'his work helped to form the style of rococo furniture in Potsdam and Berlin'.

Additional confirmation of this hypothesis may be found by comparing the present tables with a pair of work tables formerly in the collection of Mr. and Mrs. Deane Johnson (sold Sotheby Parke Bernet, 9 December 1972, lot 103), attributed to J.F. and H.W. Spindler of Potsdam, which in particular, have pierced angle mounts clearly influenced by the type of mount found on the present examples.

A related table was sold from the Alexander Collection, Christie's New York, 30 April 1999, lot 93 ($240,000 plus premium).

The inscription KKU 909 in crayon to the underside of this bureau plat is in the same hand as that on several pieces formerly owned by the Rothschilds. These include the Riesener commode supplied to Louis XVI for Fontainebleau in 1778, which was sold from the Collection of the Barons Nathaniel and Albert von Rothschild at Christie's London, 8 July 1999, lot 201 (KKU 838); the BVRB commode from that same sale, lot 205 (KKU 888); the Dauphine's commode from Choisy-le-Roi, sold from the Riahi collection, Christie's New York, 2 November 2000, lot 20 (KKU 863); and the Carlin Sèvres porcelain-mounted secrétaire in the J. Paul Getty Museum, Los Angeles (KKU 859); and the lacquer bureau plat sold from the collection of the late Andr/ae Meyer, Christie's new York, 26 October 2001, lot 107. Although the Inventory that these numbers relate has not hitherto been traced, the close proximity in the numbers almost certainly suggests that all these pieces originally formed part of the celebrated Goldschmidt-Rothschild Collection at Frankfurt-am-Main. They do not however feature in the celebrated Goldshmidt-Rothschild sale conducted by Herman Ball and Paul Graupe in 1931.

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