A GEORGE II MAHOGANY SIDE TABLE
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A GEORGE II MAHOGANY SIDE TABLE

Details
A GEORGE II MAHOGANY SIDE TABLE
The rectangular later verde antico marble top above an egg-and-dart cornice and key-pattern frieze, on foliate-carved cabriole legs and outscrolled feet, repaired break to one foot, restorations to the fretwork, previously but probably not originally a stand
32¼ in. (82 cm.) high; 40¾ in. (103.5 cm.) wide; 26 in. (66 cm.) deep
Provenance
M. Harris & Sons.
Bought from Ronald Lee, June 1948 for £450 on the recommendation of R. W. Symonds.
Literature
M. Harris & Sons, A Catalogue and Index of Old Furniture and Works of Decorative Art, Part III, n.d. (1928), no F25177.
Exhibited
London, Grosvenor House, Antique Dealer's Fair and Exhibition, 1948.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

The George II sideboard table with marble top has its frame richly carved with a Grecian ribbon-fret beneath an acanthus-wrapped echinois moulding in the George II 'Roman' fashion popularised by pattern-books such as B. Langley's Treasury of Designs, 1740, while its combination of serpentined legs enriched with 'pictureseque' shell-like cartouches reflects the 'Modern' style of Thomas Chippendale's The Gentleman and Cabinet-Maker's Director, 1754.
The table was fitted with a black portor marble top when exhibited at the Antique Dealer's Fair and Exhibition, 1948.

R. W. SYMONDS
Robert Wemyss Symonds (d. 1958) was responsible, not only for forming some of the greatest private collections of English furniture in the first half of the 20th century, but also for raising the profile of furniture history as an academic field, thanks to his prolific publications. Best known of the collections he helped to form was that of Percival Griffiths at Sandridgebury, whose collection first became widely appreciated with the publication of English Furniture from Charles II to George II, in 1929 which Symonds illustrated exclusively with pieces from Griffiths' collection, making the collection the locus classicus for many subsequent collectors such as Samuel Messer, R. B. Moller, Frederick Poke, James Thursby-Pelham, J. S. Sykes, Geoffrey Blackwell, Lord Plender [see note to previous lot] and Claud Rotch, to name but a few.

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