JOSEPH-PHILIBERT GIRAULT DE PRANGEY
No VAT will be charged on the hammer price, but VA… Read more JERUSALEM "J'en emporte avec moi l'empreinte précieuse et incontestablement fidèle, que le temps ni l'espace ne peuvent affaiblir, et c'est ici qu'il faut remercier avec la plus vive reconnaissance notre compatriote Daguerre, à jamais illustré par son admirable découverte." Letter from Girault de Prangey to Artaud de Montor, Beyrouth, 4 August 1844. Girault de Prangey arrived in Jerusalem in May, one hundred and sixty years ago, and proceeded to make an extensive series of daguerreotypes. He photographed the Biblical sites outside the city and views of the city from some of these locations. He also photographed the city walls and gates and the monuments of the Temple Mount or Haram al-Sharif. As a Christian with a passion for Islamic architecture his interest was perhaps more wide-ranging and balanced than that of many later photographers. He enjoyed a freedom that would not necessarily have been shared by others who were often working to more restricted briefs. His most extensive series of pictures was of the Church of the Holy Sepulchre, which he studied in considerable detail. He was the first artist since the invention of photography to attempt such a survey of the city's historic architecture and the only one working with the daguerreotype process. His work precedes that of George Wilson Bridges, who produced the first series of calotype negatives in Jerusalem, by five years. For an account of Girault de Prangey's Jerusalem daguerreotypes and the work of other early photographers in Jerusalem see Nir, The Bible and the Image, Part One, Chapters 1 and 2.
JOSEPH-PHILIBERT GIRAULT DE PRANGEY

276. Jèrusalem. El aksa.

Details
JOSEPH-PHILIBERT GIRAULT DE PRANGEY
276. Jèrusalem. El aksa.
Daguerreotype. n.d.[1844] Titled and numbered in ink on label on verso.
3¾ x 3¼in. (9.5 x 8.1cm.)
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Lot Essay

The Al-Aksa Mosque is situated at the southernmost end of the Haram al-Sharif or Temple Mount at the heart of Jerusalem. The name derives from the description "masjid el-aksa" meaning the furthermost sanctuary, as the site was recognised as the furthest point of the Muslim world when the Al-Aksa Mosque was constructed. The present building dates from the 10th century, although the first mosque on the site was completed in the 8th century. It is the third most holy site to Muslims after Mecca and Medina and access to the area was forbidden to all non-Muslims.

Undeterred by such practical problems, Girault de Prangey was obviously intent on returning home with daguerreotypes of this historic building, and succeeded, providing us with the earliest photographs of it still in existence today. He may have made this photograph from a position close to the one chosen for his large format view of the so-called Mosque of Omar (see May 2003 catalogue, lot 80). The smaller daguerreotype shows the view that would be just to the left of that scene, with the Al-Aksa Mosque at the back right of the picture, its arcade extending outwards towards the walls of the enclosure. There is a mysterious theatrical quality about this image. The small structures in the foreground appear as though on a stage with the larger buildings as a backdrop, an effect probably caused by the use of a relatively long lens. The centre is brightly lit, but only selected parts of the subject creep into the spotlight.

There are few photographs of this subject in the archive. Another is a view of the mosque taken from outside the walls of the sanctuary.

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