A CARVED THREE-COLOR LACQUER CIRCULAR BOX AND COVER
A CARVED THREE-COLOR LACQUER CIRCULAR BOX AND COVER

QIANLONG SIX-CHARACTER INCISED AND GILDED MARK AND OF THE PERIOD (1736-1795)

Details
A CARVED THREE-COLOR LACQUER CIRCULAR BOX AND COVER
QIANLONG SIX-CHARACTER INCISED AND GILDED MARK AND OF THE PERIOD (1736-1795)
The top finely carved through the outer red layer to the green and amber layers with a large chun (Spring) character incorporating a medallion of Shoulao seated between a deer and an incense burner beneath a pine tree, flanked by dragons amidst clouds and superimposed on the three-color rays radiating from a bowl filled with auspicious symbols, the shoulder and the sides of the box carved with figural vignettes in shaped cartouches separated by babao reserved on a ground of three-color diaper, with a band of lingzhi scroll at the rims, with a gilt-filled incised four-character mark, chunshou baohe inside the cover, the gilt-filled nianhao incised on the black-lacquered base
12¼ in. (31 cm.) diam.

Lot Essay

The four-character mark, shouchun baohe, may be translated, 'The treasure box of eternal spring and longevity'.

The various themes of longevity on boxes of this type indicate that they were made for birthday celebrations or were celebratory gifts given away by the emperor.

A similar box and cover in the Palace Museum, Beijing, is illustrated in Zhongguo meishu quanji, Lacquer, vol. 8, Beijing, 1989, pl. 172. Another is illustrated in Kaogu, 1994:2, p. 87, pl. 11; and another example in the Avery Brundage Collection, is illustrated by Sir Harry Garner, Chinese Lacquer, London, 1979, p. 148, fig. 90. See, also, the example from the Manno Art Museum, sold Christie's, Hong Kong, 28 October 2002, lot 568.

For a Jiajing prototype see Illustrated Catalogue of Chinese Government Exhibits from the International Exhibition of Chinese Art in London, 1936, vol. IV, Miscellaneous, p. 87, fig. 4. It is interesting to note that the later Qianlong examples were specifically commissioned to emulate the earlier quality and elaborate utilization of the different lacquer colors.

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