A LARGE CARVED THREE-COLOR LACQUER CIRCULAR BOX AND COVER
THE PROPERTY OF A NEW YORK COLLECTOR
A LARGE CARVED THREE-COLOR LACQUER CIRCULAR BOX AND COVER

QIANLONG PERIOD (1736-1795)

Details
A LARGE CARVED THREE-COLOR LACQUER CIRCULAR BOX AND COVER
QIANLONG PERIOD (1736-1795)
The top well carved through the red, dark green and ochre layers with a basket filled with babao emitting rays superimposed by a large chun character enclosing a medallion of Shoulao flanked by two five-clawed dragons writhing amidst clouds, within narrow decorative borders, the sides of the cover and box carved with the bajixiang alternating with large floral panels, all reserved on a green and ochre diaper ground; the interior later fitted with variously shaped black lacquer boxes containing gaming pieces and decorated in gold lacquer, and a set of six shallow trays decorated as playing cards
15 3/8 in. (39 cm.) diam.
Literature
D. Clifford, Chinese Carved Lacquer, London, 1992, pp. 132-3, pls. 106 a, b.

Lot Essay

Compare a very similar polychrome box and cover in the collection of The Asian Art Museum of San Francisco, illustrated in Hai-wai yi-chen (Chinese Art in Overseas Collections - Lacquerware), Taipei, 1987, p. 160, no. 157. Another example, with Qianlong mark and of the period, was exhibited in 2000 Years of Chinese Lacquer, Oriental Ceramics Society of Hong Kong and the Art Gallery, the Chinese University of Hong Kong, 1993. See also a box and cover in the collection of the National Palace Museum, illustrated in Gugong qiqi tezhan mulu (Catalogue of a Special Exhibition of Lacquerware in the National Palace Museum), Taipei, 1981, no. 67.

Boxes of this type are known as chun boxes and were first seen during the Jiajing period (1522-1566), such as an example included in the exhibition catalogue, Chigoku no Shikkogei (Chinese Lacquer Art), The Shoto Museum of Art, Tokyo, 1991, p. 77, no. 88.

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