An important South Indian, Nayak style, bronze figure of Sivanataraja
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An important South Indian, Nayak style, bronze figure of Sivanataraja

EARLY 19TH CENTURY

Details
An important South Indian, Nayak style, bronze figure of Sivanataraja
early 19th century
Dancing with one leg on apasmarapurusha who is reclining on a lotus base, his principle hands in abhayamudra and gajahastamudra, both others holding damaru and agni, wearing tiger skin, scarf, bejewelled and udarabandha, his face with emotionless expression, almond-shaped eyes, aquiline nose, his right ear with makara-shaped ear ring, the other with circular shaped ear ring, his hairdress in karandamakuta moulded with an encircling snake supporting skull and kirrtimukha above and extended horizontally by wavy hairstrings decorated with Ganga and half-moon to the other side and behind a large flaming aureol issued by a pair of makaras
180 cm high, mounted
Provenance
Registered in the U.S.A. in 1954 and acquired under the auspicious of dr. Stella Kramrisch
Dr. Jaipaul, Philadelphia
Galerie De Ruimte, Eersel, The Netherlands, 1989
Acquired in 1990 by the present owner
Special notice
Christie's charge a premium to the buyer on the final bid price of each lot sold at the following rates: 23.8% of the final bid price of each lot sold up to and including €150,000 and 14.28% of any amount in excess of €150,000. Buyers' premium is calculated on the basis of each lot individually.

Lot Essay

Saivism remained popular in South India until present day. Its principle god, Siva, is worshipped in many forms. He became most aprreciated in his form as the Lord of the Dance, like the one under review. It was only during the Chola dynasty that one sees for the first time examples cast in bronze. Today we find the Lord of the Dance in all South Indian temples as he represents many qualities.

In this form he is known as the Creator of the Universe and dances the world into existence, but at the same time he is also its destructor. Much symbolism is attached to Sivanataraja. His drum stands for the creation of this world. His open hand palm protects human beings while his stretched downward hand symbolizes the solace of the world. His other hand holds the fire symbolizing the dissolving of the world. The dwarf on which he tramples represents ignorance and the large flaming aureol the cosmos. In the hairdress of Siva a skull is visible which emphasizes his role as the embodiment of Time and Death. Also present in his hairdress is the goddess Ganga who fell from heaven to earth through his hair.

Altogether one may say that this form of Siva captures best the idea of Hinduism, through its form and symbolism. Here he stands for creation, sustenance and destruction of the cosmos. Even his emotionless face reflects the impersonality of the above mentioned process.

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