AN IZNIK POTTERY DISH
No VAT will be charged on the hammer price, but VA… Read more Comtesse de Behague Martine Marie Pol, Comtesse de Behague, inherited an immense fortune which allowed her to live in grand style between her house in Paris, her villa in the south of France, at the Chateau de Fleury, and travelling the world collecting art in her yacht the Nirvana. After her death in 1939, her nephew the Marquis Hubert de Ganay inherited most of her fortune including her art collection. This collection was eclectic, but showed throughout a very discerning eye. The collection has since been dispersed, mostly privately, finishing off with an auction in Monaco in 1987.
AN IZNIK POTTERY DISH

OTTOMAN TURKEY, CIRCA 1570

Details
AN IZNIK POTTERY DISH
OTTOMAN TURKEY, CIRCA 1570
With rounded sides on short foot, the interior with small blue flowerhead issuing eight finely painted feathery saz leaves in pairs forming a cruciform with hearts in the interstices, superimposed on a dense green fish-scale ground, within a fret border, the exterior with alternating blue paired tulips and flowerheads, foot drilled in two places, three repaired breaks, slight rim chips
10¾in. (27.6cm.) diam.
Provenance
Comtesse de Behague
Marquis de Ganay
Joseph Soustiel, Paris, circa 1961
Private Collection, Marseille
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

This dish is unusually refined and elegant; very appropriate for one owned by the Comtesse de Behague. The saz leaves are unusually thin, particularly when the design is compared to that of lot 9 in this sale. That lot used the same design as here, but only once rather than repeated in four quadrants. Another closely related dish, also of the same form, with six swirling saz leaves each with heart-shaped panels between, is in the Gulbenkian Museum (Maria Queiroz Ribeiro: Iznik Pottery, Lisbon, 1996, no.67, pp.210-211, while a third, with quartered design as here, but divided by broader serrated leaves rather than the current narrower saz leaves, is in the British Museum, formerly in the Godman Colllection (The Arts of Islam, exhibition catalogue, London, 1976, no.416, pp.268-9).

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