A FINELY DECORATED FAHUA BALUSTER VASE, MEIPING
THE PROPERTY OF A JAPANESE COLLECTOR
A FINELY DECORATED FAHUA BALUSTER VASE, MEIPING

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A FINELY DECORATED FAHUA BALUSTER VASE, MEIPING
MING DYNASTY, FIRST HALF OF THE 16TH CENTURY

Elegantly potted with high shoulders, a slender waisted body and short narrow waisted neck, finely and crisply decorated with moulded and thread appliques in slip to depict a pond from which emerge long stems issuing full lotus blooms and leaves amid aquatic plants and butterflies in flight above a continuous border of rolling and crashing waves interrupted by mountainous outcrops, the shoulder with a border of peony sprigs interrupted by long-tailed cranes in flight between raised borders and above a band of pendent ruyi-heads, all picked out in glazes of turquoise and yellowish-amber reserved on a deep purplish-blue ground (the neck and one moulded extremity restored)
15 in. (38 cm.) high, Japanese wood box

Lot Essay

A nearly identical example, possibly the pair to this vase, in the Museé Guimet, Paris, is illustrated in Oriental Ceramics, The World's Greatest Collections, Kodansha Series, Vol. 7, Tokyo, 1981, pl. 80.
Other related meiping with different treatment to the shoulder include that with jewelled chains illustrated by J. Harrison-Hall, Ming Ceramics in the British Museum, London, 2001, pl. 13:5; another sold in our London Rooms, 6 December 1993, lot 76; and a guan of this pattern illustrated Mayuyama, Seventy Years, vol. 1, Tokyo, 1976, fig. 816. A meiping with lotus lappets at the shoulder, from the George Eumorfopolous Collection, is illustrated in the Catalogue, vol. IV, pl. XXXV, included in the Exhibition of Chinese Art, Conduit Street, London, 1938 and is illustrated by J. Ayers, The Baur Collection, vol. II, Geneva, 1969, pl. A 152.

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