A George II silver-gilt cup and cover
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A George II silver-gilt cup and cover

MARK OF THOMAS FARREN, LONDON, 1740

Details
A George II silver-gilt cup and cover
Mark of Thomas Farren, London, 1740
The vase-shaped cup with moulded mid-rib, on slightly domed circular foot, cast and chased with foliate scrolls on a partly matted ground, with two foliage-capped double scroll handles with upper rocaille terminals, the lower body with a band of foliate scrolls on a matted ground, the detachable domed cover similarly decorated with foliate scrolls and rocaille and with foliate and acanthus bud finial, the body later engraved with a lozenge-of-arms with countess' coronet above, further engraved with a crest within the motto of the Order of the Thistle and with earl's coronet above, marked on base and cover bezel
12¾in. (32.4cm.) high
78oz. (2,426gr.)
The arms are those of Poulett impaling Butt, for Mary (d.1819), daughter and co-heir of Richard Butt of Arlingham, Gloucestershire and widow of Vere, 3rd Earl Poulett (d.1788), whom she married in 1755.

The crest is for John, 4th Earl Poulett K.T. (1756-1819), son of Vere, 3rd Earl Poulett (d.1788) and his wife Mary (d.1819), (see above).
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

Vere, 3rd Earl Poulett (d.1788) succeeded his brother in 1764 and was appointed Lord Lieutenant of Devonshire in 1771. His reputation was that he preferred country life to a political career in London. Lord Egremont recounted the 3rd Earl's exploits in shooting with a bow and arrow; when asked how many he had killed, he replied 'None killed, not one, but I put them all in the utmost consternation!' He and his wife, who died in 1819, are buried together in the family vault at Hinton St George in Somerset.

The design of the cup is composed of elements which appear in a number of cups in the 1730s and early 1740s. T. Schroder in Silver at Partridge, 1992, p.26 notes four cups closely related to the present example, by Lamerie, John White, and Benjamin Godfrey. Perhaps the closest example is that by Lamerie, 1736, now in the Al Tajir Collection, exhibited London, Christie's, The Glory of the Goldsmith, 1989, no. 74. The handle castings were also used by George Wickes and Charles Kandler. The appearance of similar forms in the work of so many silversmiths illustrates the intertwined working relationships that existed in the 18th century London silver trade.

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