A set of eight George II silver sauce-boats
No VAT will be charged on the hammer price, but VA… Read more THE PROPERTY OF THE DUKE OF SUTHERLAND
A set of eight George II silver sauce-boats

MARK OF SAMUEL COURTAULD, LONDON, 1757

Details
A set of eight George II silver sauce-boats
Mark of Samuel Courtauld, London, 1757
Each helmet-shaped, on spreading shaped oval foot cast and chased with shells, scrolls and gadrooning, and with gadrooned rim, applied below the lip with rocaille, and with foliage-capped scroll handle, with scroll terminal, the front engraved with a crest with duke's coronet above, each marked below rim
7¼in. (18.5cm.) high
171oz. (5,321gr.)
The crest is that of Egerton for Francis, 3rd Duke of Bridgewater (1736-1803)
Provenance
Francis, 3rd Duke of Bridgewater (1736-1803) and then by descent to his nephew
George, 2nd Marquess of Stafford K.G. (1758-1833), later created 1st Duke of Sutherland in 1833, and then by descent.
Exhibited
Hampton Court Palace, 1995-2005
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

Samuel Courtauld (1720-1765) was born 10 September 1720, son of the goldsmith Augustine Courtauld. He was baptised 13 September in Leicester Field Church and apprenticed to his father on 12 November 1734. He was made free on 3 February 1747 having entered his first mark as largeworker on 6 October of the preceding year upon his father's retirement, with his address given as Shandois [Chandos] Street near St Martin's Lane. He married on 31 August 1749, at St Luke's Old Street, Louisa Perina Ogier, and they had three sons and four daughters. His workshops moved from the Rising Sun, Chandos Street, to the more prestigious location of The Crown opposite Royal Exchange, 21 Cornhill in 1751; his new mark entered at that time was, logically, without the 'rising sun' above his initials. His work is characterised by a gentle expression of the rococo style, attractively executed and in some instances in the manner of Paul de Lamerie; survival of his work is relatively rare. He died in February 1765 and was buried 24 February at Chelsea, leaving all his property to his wife who subsequently entered into partnership with George Cowles. For further information, see T. Schroder, The Gilbert Collection of Gold and Silver, New York, 1988, pp.652-3 for biographical information and fig.78, pp.298-299 for a chocolate-pot by Samuel Courtauld.

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