A PAIR OF REGENCY ORMOLU-MOUNTED ROSEWOOD, SIMULATED ROSEWOOD AND PARCEL-GILT CHIFFONIERS
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A PAIR OF REGENCY ORMOLU-MOUNTED ROSEWOOD, SIMULATED ROSEWOOD AND PARCEL-GILT CHIFFONIERS

CIRCA 1805-10, ATTRIBUTED TO JAMES NEWTON, THE BASES ORIGINALLY DECORATED TO SIMULATE PORPHYRY

Details
A PAIR OF REGENCY ORMOLU-MOUNTED ROSEWOOD, SIMULATED ROSEWOOD AND PARCEL-GILT CHIFFONIERS
CIRCA 1805-10, ATTRIBUTED TO JAMES NEWTON, THE BASES ORIGINALLY DECORATED TO SIMULATE PORPHYRY
Each with rectangular grey bardiglio marble top mounted with a single-tier mirror-backed superstructure with pierced three-quarter gallery and on trellis-filled and turned end-supports, the frieze centred by a flowerhead mount flanked by stylised anthemia, on turned part-reeded front supports with lotus-leaf head and foot, the pilaster back-supports linked by a mirror, on plinth base, lacking three back pilaster mouldings and the X-frame brass gallery to one end, the front-supports previously part-bronzed
48 in. (122 cm.) wide; 46 in. (117 cm.) high; 15 in. (38 cm.) deep (2) (2)
Provenance
Commissioned for St. James's Square, London by George Byng Esq. M.P. (d.1847) and by descent.
Literature
St. James's Square 1847 Inventory, 'LARGE DRAWING ROOM a console table on rosewood plinth carved and gilt legs & pilasters statuary marble slab & silvered plate glass back -2 pier tables to correspond with console'
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

These bookcases were originally supplied by Newton with pier mirrors and a corresponding narrower bookcase en suite, all of which are listed first in the 1847 Inventory above. The narrower bookcase remains in a Private Collection.

Designed in the French-Grecian manner popularised by Thomas Hope's Household Furniture and Interior Decoration, 1807, these plinth-supported and mirror-backed bookshelves, with reeded-columnettes and galleried superstructure, relate to patterns for 'Chiffoniers' and 'Drawing Room' pier tables published in George Smith's Collection of Designs for Household Furniture, 1808, pls. 114 and 122. The flowered palmette and columnettes relate to Hope's patterns for a pedestal and a candelabrum illustrated op. cit., pls. XXI and XXII.

An almost identical pair of chiffoniers, labelled by James Newton and Son, 63 Wardour Street, Soho, but later white-painted, was sold frrom the collection of Maureen, Marchioness of Dufferin and Ava, in these Rooms, 25 March 1999, lot 320 (£28,750), whilst a further pair of side cabinets almost en suite was sold at Christie's London, 21 April 2005 lot 209 (£36,000). Established in Wardour Street in the late 1780s by James Newton Senior, the firm of James Newton and Son specialised in the prodcution of Regency furniture in the latest 'Grecian' taste, and their clients included the Earl of Exeter at Burghley House, Lincolnshire and the Lords Brownlow at Belton House, Lincolnshire. Newton's work is discussed by Giles Ellwood, 'James Newton', Furniture History Society Journal, 1995 (pp.128 - 205).

A closely related table with mirror-backed centre is illustrated in M.Jourdain, Regency Furniture, London, rev.ed, 1965, figs. 191 and 126. It is now at Stratfield Saye but was originally supplied to the 1st Duke of Wellington for Apsley House. There is also a small group of side cabinets with large Japanese lacquer panels in the centre flanked by identical columnettes and mounts to these chiffoniers. One was sold from the collection of J.R.D.S.Trelawney, Esq., Christie's London, 29 April 1965, lot 38. These lacquer-centred cabinets may possibly correspond to a type of which one was supplied by Dowbiggin to Lord Willoughby at Drummond Castle in 1831, 'A Large Chinese Commode Mounted with Brass, 3 Drawers Enclosed by Doors with Marble Slab on the Top' (The Dictionary of English Furniture-Makers, Leeds, 1986, p.253).

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