A DUTCH DELFT (DE METAALE POT) UNIONIST VASE MADE FOR THE BRITISH MARKET
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A DUTCH DELFT (DE METAALE POT) UNIONIST VASE MADE FOR THE BRITISH MARKET

CIRCA 1707, BLUE VE MONOGRAM 2 9 FOR LAMBERTUS VAN EENHOORN

Details
A DUTCH DELFT (DE METAALE POT) UNIONIST VASE MADE FOR THE BRITISH MARKET
CIRCA 1707, BLUE VE MONOGRAM 2 9 FOR LAMBERTUS VAN EENHOORN
With a bulbous body, the tall slender neck with a garlic-shaped top, painted in two shades of underglaze blue, the 'cracked-ice' ground with ragged foliate edges above and below and reserved with white scalloped ogival panels joined by white straps, the panels enclosing with the emblems of England, Scotland and Ireland flanking two larger panels enclosing fleur de lys composed of tightly scrolling foliage, the scalloped half-panels below with shells, the upper edge of the ground above forming fleur de lys surmounted by crowns on the neck, below a blue-ground bulbous upper part with a similar down-turned ragged edge and reserved with foliate lozenge-shaped panels (chipping to footrim, very slight chipping to rim)
9 5/8 in. (24.5 cm.) high
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

This vase appears to commemorate the Act of Union, when, in the reign of Queen Anne, England and Scotland were fully united to form Great Britain in 1707. Although the Irish harp is also shown on the vase, Ireland did not join the union formally until 1801. The fleur de lys composed of tightly scrolling foliage appear to be a discreet assertion of the English Monarchy's claim to France dating from the time of the Plantaganet Kings and the Hundred Years War.

Lambertus van Eenhoorn bought De Metaale Pot pottery in 1691 after the death of the previous proprietor, his first cousin Lambertus Cleffius. The purchase was secured by his brother-in-law, Adrianus Kocx, the owner of the Greek A pottery. Lambertus van Eenhoorn was a spendthrift and a drunkard, and he made a series of expensive trips abroad, including visits to Scotland and Ireland. It is possible that one of these trips aided the commissioning of this vase.

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