A SUITE OF LOUIS XVI CREAM-PAINTED AND PARCEL-GILT SEAT-FURNITURE
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A SUITE OF LOUIS XVI CREAM-PAINTED AND PARCEL-GILT SEAT-FURNITURE

BY MATHIEU BAUVE, CIRCA 1775, THE UPHOLSTERY ALMOST CERTAINLY SUPPLIED BY PIERRE DELBÉE OF MAISON JANSEN, PARIS

Details
A SUITE OF LOUIS XVI CREAM-PAINTED AND PARCEL-GILT SEAT-FURNITURE
BY MATHIEU BAUVE, CIRCA 1775, THE UPHOLSTERY ALMOST CERTAINLY SUPPLIED BY PIERRE DELBÉE OF MAISON JANSEN, PARIS
Comprising a pair of bergères, four fauteuils and a canapé, each with rectangular padded back, arms and seat upholstered in red velvet, the cresting centred by a floral pattera flanked by acanthus foliage, the eared angles with flowerhead issuing fruiting laurel garlands and carved to the sides with piastres, the scrolled carved arms decorated with acanthus foliage and floral patera, on leaf-wrapped supports, the shaped rails carved with fruiting laurel, on square-sectioned volute-headed front legs carved with acanthus and piastres panels, the turned tapering fluted back legs headed by acanthus foliage, the bergères and the canapé stamped once 'BAUVE', the fourth fauteuil stamped twice, one fauteuil with a printed restorer label from 'ARTEMOLDURA', one bergère with the inscription 'i' and 'N 1' and with a blue-bordered label inscribed 'n 1', the other bergère inscribed 'B n 2', a fauteuil inscribed 'F3', another fauteuil inscribed 'F1', minor differences in carving and gilding; together with their probably original Aubusson tapestry seat-covers woven in wools and silks with pastoral trophies, worn and distressed (7)
Provenance
Acquired from Kraemer et Cie., Paris, March 1967.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

Mathieu Bauve, maître in 1754.

This remarkable suite of goût grec seat-furniture is amongst the chefs d'oeuvres of Mathieu Bauve. Whilst Bauve's Louis XV production is not exceptional in form, his style changed dramatically in the 1760's when he went on to produce a few late Louis XV masterpieces. This includes the suite of bergères reputedly made for Queen Marie-Antoinette's theatre at Versailles, an order shared with his fellow menuisier Jean-Baptiste Boulard (a Boulard example if illustrated in P. Kjellberg, Le Mobilier Frangais du XVIIIe Siècle, Paris, 1998, p. 105. Another example of his remarquable skill in executing late Louis XV designs is the fauteuil sold Ader Picard Tajan, Paris, 14 June 1983, lot 145 (illustrated Kjellberg, op. cit., p.49).

The distinctive scrolled and voluted bracket legs also feature on the pair of bergeres by Bauve at Versailles, which were given by the Duchess of Windsor in 1973 and are now in the apartments of Madame du Barry. They are illustrated and discussed in P. Arizzoli-Clémentel, Versailles Furniture of the Royal Palace, Dijon, 2002, Vol. II, no.81, pp.230-231.

With its highly fashionable goût grec-inspired design, the Champalimaud suite relates to designs by the architect Jean-Louis Prieur and more precisely to his designs drawn in the mid 1760s for the Royal Palace at Warsaw, illustrated in S. Eriksen, Early Neo-classicism in France, London 1974, fig. 413-414.

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