A French 'Japonisme' ormolu, onyx and enamelled three-piece garniture
A French 'Japonisme' ormolu, onyx and enamelled three-piece garniture

IN THE MANNER OF EUGÈNE CORNU, SECOND HALF 19TH CENTURY

Details
A French 'Japonisme' ormolu, onyx and enamelled three-piece garniture
In the manner of Eugène Cornu, Second half 19th Century
Comprising a jardiniere and a pair of five-light candelabra, the jardiniere applied to the front and verso with a mythical bird, flanked by naturalistic scrolling handles, on four pierced scrolled supports cast with beast masks; the baluster-form candelabra modelled en suite with scrolled pierced candelarms, lotus-cast nozzles and a foliate finial
The jardiniere: 16½ in. (42 cm.) high, 20 in. (50.8 cm.) wide, The candelabra: 27 in. (68.5 cm.) high (3)

Lot Essay

The sculptor Eugène Cornu (d. 1875) worked for the Compagnie des Marbres Onyx d'Algérie who owned marble and onyx mines in Algeria. The firm was established in 1858 and set up a factory in Paris at 29, rue Popincourt. Onyx, known since Antiquity and used by both the ancient Egyptians and Roman civilisations, was shown to great acclaim at the 1862 International Exhibition in London, having only been re-discovered in 1849 in Oran, Algeria.

This garniture is reminiscent of work produced by the partnership between Cornu and Viot who created luxurious objects and furniture incorporating marble and decorated with enamel and bronze, as well as vases and fountains in marble. They reaped success at the 1867 Exposition Universelle in Paris, where they won the médaille d'or.

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