拍品專文
Antoine Nicolas Delaporte, maître in 1762.
This model of chair is known as a fauteuil à coiffer on acccount of its distinctive toprail, which was shaped to allow for the cumbersome scale of 18th century wigs. A bergère of closely related form, possibly from the same suite, is in the James A. de Rothschild Collection at Waddesdon Manor (G. de Beallaigue, The James A. de Rothschild Collection at Waddesdon Manor: Furniture, Clocks and Gilt Bronzes, Vol. 11, Fribourg, 1974, no.129, pp.606-7). A further fauteuil à coiffer by J. Audry (maître in 1777) from the collection of Baronne Leonino (née Rothschild), which displays very similar sculpture, is illustrated in F.J.B. Watson, Louis XVI Furniture, London, 1960, fig.185.
This model of chair is known as a fauteuil à coiffer on acccount of its distinctive toprail, which was shaped to allow for the cumbersome scale of 18th century wigs. A bergère of closely related form, possibly from the same suite, is in the James A. de Rothschild Collection at Waddesdon Manor (G. de Beallaigue, The James A. de Rothschild Collection at Waddesdon Manor: Furniture, Clocks and Gilt Bronzes, Vol. 11, Fribourg, 1974, no.129, pp.606-7). A further fauteuil à coiffer by J. Audry (maître in 1777) from the collection of Baronne Leonino (née Rothschild), which displays very similar sculpture, is illustrated in F.J.B. Watson, Louis XVI Furniture, London, 1960, fig.185.