A PAIR OF LOUIS XVI GREY-PAINTED CHAISES A LA REINE
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A PAIR OF LOUIS XVI GREY-PAINTED CHAISES A LA REINE

BY GEORGES JACOB, CIRCA 1775

Details
A PAIR OF LOUIS XVI GREY-PAINTED CHAISES A LA REINE
BY GEORGES JACOB, CIRCA 1775
Each with waisted arched padded back and seat covered in green velvet within a pearl and stiff-leaf frame, on block rosette-headed turned tapering stop-fluted legs and toupie feet, each stamped 'G. JACOB', with marque au feu of Châteauneuf-sur-Loire, inscribed in black with an anchor and 'C 9', one with handwritten label '223', the sear-rails chamfered to inside, one back leg with restored break (2)
Provenance
Supplied to Louis-Jean-Marie de Bourbon, duc de Penthièvre, Grand Amiral de France (1725-1793) for his residence at Châteauneuf-sur-Loire.
Presumably sold in the Revolutionary sales in 1793.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

Georges Jacob, maître in 1765.

The château de Châteauneuf-sur-Loire was originally built by the architect Mansart at the end of the 17th century. Initially owned by the Philippeaux de la Vrillière family, it was later purchased from the Rohan-Guiminée family by Louis-Jean-Marie de Bourbon, duc de Penthièvre and grandson of Louis XIV. He also purchased the contents of the château for the considerable sum of 50,000 livres.

As in his other residences, Penthièvre ordered ébénisterie from his favourite craftsmen including Jean-François Oeben and Roger Vandercruse, dit Lacroix, from whom he ordered at least a commode and a table, and menuiserie from Georges Jacob, including a bergère sold in Paris, 18 March 1981, lot 231, as well as a pair of tabourets sold anonymously at Christie's New York, 22-23 October 2003, lot 519. The Wildenstein chairs display Jacob's characteristic innovation of a heavily chamfered seat-rail - which serves both to preserve strength and reduce weight.

The furnishings of Châteauneuf-sur-Loîre were seized at the Revolution, sent initially to Tours and then to Paris where they were sold without reserve, which was the case with a commode now in the musée du Louvre.

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