A ROMAN MARBLE CINERARIUM
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A ROMAN MARBLE CINERARIUM

LATE 1ST-EARLY 2ND CENTURY A.D.

Details
A ROMAN MARBLE CINERARIUM
LATE 1ST-EARLY 2ND CENTURY A.D.
Carved in high relief on the front, the sides with linear impression of brickwork, at each front corner the head of Zeus-Ammon with a leafy swag suspended from their curled horns, below eagles with outspread wings pull at the hanging fillets, above the garland a winged sphinx and two birds beneath, the central tabula with dedicatory inscription reads:
MANIBVS
L.PVPI.POTITI
VIX.ANN.XVI
PVPIA.AMPLIATA
MATER
"To the Spirits of Lucius Pupius Potitus who lived sixteen years, his mother Pupia Ampliata (made this)"
The later additional gabled lid with front corner masks and bust in central recessed tondo
22 7/8 in. (58 cm.) high, 16¼ in. (41.3 cm.) wide, 12 3/8 in. (31.4 cm.) deep
Provenance
Almost certainly acquired by Lord Parker on the Grand Tour, 1720-1722; and thence by descent at Shirburn Castle.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

The Ammon heads may be seen here as symbols of strength and protection, with the birds of Zeus, the eagle, below. Ammon was the Greek name of an Egyptian oracle god, gaining recognition when Alexander the Great later claimed to be his son. The oracle was situated in the Siwa oasis where the Libyan desert tribes worshiped a ram shaped god and certainly the cult of Ammon appears to have remained Libyan in character and only superficially egyptianized.

The name Zeus Ammon was adopted by the first Greeks to visit the shrine. His cult spread throughout the Greek world with the help of the poet Pindar (522-445 B.C.), who was the first Greek to dedicate an ode to the new god, Zeus Ammon. One of the new centres of this cult was Athens, another centre being the Macedonian town Aphythis, where the young Macedonian crown prince Alexander would have seen the statue. Alexander was greeted as Ammon's son, and started to believe that he was a demi-god, reputedly at times wearing the horns of his divine father Ammon on public occasions; certainly after his death he was depicted in this fashion.

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