A CHARLES II STUMPWORK, METALLIC THREAD AND SILK-EMBROIDERED CASKET**
Prospective purchasers are advised that several co… Read more
A CHARLES II STUMPWORK, METALLIC THREAD AND SILK-EMBROIDERED CASKET**

CIRCA 1660

Details
A CHARLES II STUMPWORK, METALLIC THREAD AND SILK-EMBROIDERED CASKET**
CIRCA 1660
Depicting the Judgement of Solomon, the King seated within a pavilion with a winged angel above and surrounded by attendants, mothers and the infants in an exotic landscape, the sides with scenes showing the sacrifice of a lamb, the body of Christ within a shroud sewn by mourning women and kings in procession, with exotic animals, insects and birds throughout, the back of case with panels, the tufted pink silk-lined interior with octagonal mirrored well and open and lidded compartments and with a later mirror to the underside of lid, on ater turned ivory feet, lacking escutcheon, now within a plexiglass cover and walnut base
4½ in. (10.5 cm.) high, 16¼ in. (41 cm.) wide, 12 in. (30.5 cm.) deep
Provenance
William Straus, New York
William du Pont, Delaware
Purchased from Cora Ginsburg, New York
Literature
Patricia E. Kane, "Living with Antiques: A Saint Louis couple collects," The Magazine Antiques (May 2002), pp. 112, 113, pls. I, II.
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Lot Essay

The central oval to the lid depicts the Biblical scene of two mothers who appeared before King Solomon, each claiming that the baby held in the arms of one of them was hers. Solomon then ordered the infant be killed and one woman immediately cried out. Solomon found this woman to be the true mother. This tale became quite popular in the 17th Centuries as is came to symbolize the ideals of truth and justice. It also proved gratifying to the current king, in this instance Charles II, as it demonstrated the wisdom of the monarch.

The highlight of a girl's endeavors in embroidery in the 17th Century was the completion of a series of small panels which were then sent to a cabinet maker to be made into a casket or box. These boxes were cherished for their great decorative value as well as a paradigm of accomplishment. A related box is illustrated in L. Synge, Art of Embroidery, Woodbridge, 1988, p. 135, fig. 121. Another, from the collection of Percival Griffiths, is illustrated in R. Edwards and P. MacQuoid, The Dictionary of English Furniture, rev. ed., 1954, vol. I., p. 93, fig 22. A further example with a fall front was sold anonymously; Christie's, New York, 16 April 2002, lot 66.

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