**A RARE ENGRAVED LACQUER SNUFF BOTTLE
Prospective purchasers are advised that several co… Read more
**A RARE ENGRAVED LACQUER SNUFF BOTTLE

TAO WENLIN, 1780-1880

Details
**A RARE ENGRAVED LACQUER SNUFF BOTTLE
TAO WENLIN, 1780-1880
Of flattened ovoid form with a slightly concave foot, incised on one side with a branch of prunus with a three-character inscription in calligraphic script reading Wenlin hua ('Painted by Wenlin') with the seal Tao, and with a poetic inscription on the reverse preceded by a seal reading Yipian bingxin ('A noble heart') followed by the signature Wenlin and seal in seal script Xiaoshan ('Little mountain'), coral stopper with jadeite finial
2½ in. (6.3 cm.) high
Provenance
Ko Collection (Jinan, Shandong, 1926-1928)
Christie's London, 8 November 1976, lot 185
Literature
Moss et. al., The Art of the Chinese Snuff Bottle, The J & J Collection, vol. 2, no.
306
Exhibited
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Lot Essay

Part of the trend towards scholarly decoration of their own snuff bottles, discussed under lot 23, this elegant lacquer bottle is engraved with the 'iron-brush', the carving tool of the seal-carver.

The decoration is blossoming prunus branches, a common literati subject, which has been incised in a rather spontaneous, yet confident and calligraphic manner. The prunus has long inspired the literati with its symbolic fortitude. Since it blossoms in the depths of winter, prunus became a powerful symbol of the Confucian scholar who strived to serve the best interest of his country despite whatever hardships he might encounter.

The poetic inscription incised on one side of this bottle may be read as follows:

Together, with the coral bed in place, brilliance lit up the pillars, with the jade screen open, the reception hall filled with green light

While the overall reference to luxurious furnishings seems clear, the translation is open to other interpretations if the 'coral bed' is intended to be a bed for a brush (brush rest) and the 'jade screen' a table screen.

The seal preceding the inscription, Yipian bingxin (literally 'a piece of icy heart'), is a metaphor for the calm heart of a self-assured individual, unconcerned by external circumstances.

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