拍品專文
Here Rembrandt has transplanted a farmhouse that he may have seen on the St. Anthoniesdijk between Diemen and Amsterdam into an imaginary mountainous setting. The result is a new, partially Dutch, partially fictional environment. So successful is he in unifying these various elements that one could not guess that Rembrandt's only exposure to landscapes of this type was through the prints of others - notably those after Hendrik Goltzius and Pieter Brueghel.
Reproduced actual size
Reproduced actual size