A PAIR OF BRONZE FIGURES OF BACCHUS AND CERES
THE PROPERTY OF A NEW YORK COLLECTOR (LOT 784)
A PAIR OF BRONZE FIGURES OF BACCHUS AND CERES

BACCHUS AFTER LOUIS GARNIER, FRENCH, FIRST HALF 18TH CENTURY, THE BASES LATE 18TH EARLY 19TH CENTURY

Details
A PAIR OF BRONZE FIGURES OF BACCHUS AND CERES
BACCHUS AFTER LOUIS GARNIER, FRENCH, FIRST HALF 18TH CENTURY, THE BASES LATE 18TH EARLY 19TH CENTURY
Bacchus on a square base and Ceres on an integrally cast square base, each on a square lacquered bronze-mounted 'Boulle' marquetry-inlaid ebony bombe base, the scrolled feet with masks
13½ in. (34 cm.) and 13¾ in. (35 cm.) high, 19½ in. (49.5 cm.) and 19¾ in. (50 cm.) high on bases (2)

Lot Essay

COMPARATIVE LITERATURE:
F. Souchal, French Sculptors of the 17th and 18th Centuries, II Oxford, 1981, pp. 3-4, fig. 5.

Even though the two models in the present lot were originally of different origin, they were often together in the 18th century as a 'false pair.' The model by Louis Garnier (1638-1728), after which Bacchus was cast, is known to have existed at least as early as 1699, when another example was bought for Augustus the Strong of Saxony. Numerous other versions are known, often paired with Michel Anguier's Ariadne or his Amphitrite. Indeed, Amphitrite probably provided a direct inspiration for Ceres as it is basically the same model but with superficial differences.

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