P. HUNT*
P. HUNT*

细节
P. HUNT*
Portrait of Alfred Openshaw
Signed and dated 'P. Hunt 1847'
oil on canvas
33 x 27in. (85 x 65.5cm.)
出版
J. Ayres, English Naive Painting, London, 1981, pl. 21
J. Ayres, British Folk Art, Woodstock, NY, 1977, p. 104
J. Ayres, Two Hundred Years of English Native Art 1700-1900, Alexandria, VA, 1996, no. 5, pp. 40-41 and cover illustration
展览
London, U. S. Embassy, American and British Folk Art, 1976
Manchester, Cornerhouse Arts Centre, The Art of the People, 1985-1986
Brighton, University of Brighton, A Common Tradition, 1991
Bath, Judkyn/Pratt British Folk Art Collection, Peter Moores Foundation, 1994-1995
New York, Fraunces Tavern Museum; Palm Beach, Society of Four Arts; Fresno, California, Fresno Metropolitan Museum; San Diego, California, San Diego Museum of Art; Oklahoma City, Mo, Oklahoma City Museum, Two Hundred Years of English Naive Art 1700-1900, 23 November 1996 - 29 November 1997

拍品专文

Openshaw is a Lancastrian name, which may suggest that this painting originated in the palatinate. The picture is inscribed on the back with the subject's name in large calligraphic letters. The child is clothed in the gown typical for small boys until the age of four years. His necklace relates to a superstition, dating back to classical antiquity, that coral warded off evil spirits. The hen fostering ducklings prompts the possiblity that the sitter was adopted. The somewhat Claudian landscape and the bright red of the dress cannot quite distract from the dislocation in the drawing of the chair which, nevertheless, conveys a great sense of depth.