Lot Essay
'The title of this impressive, almost surrealist landscape has been deduced by the elimination of others in the Redfern exhibition (1937). This extraordinary little deserted building clearly had some fascination for Philpot since it appears again twice in other watercolours ... Whatever the orginal purpose of the building in this Riviera resort, Philpot has here transformed it into a mysterious and poetic image, a temple for the personal mythology of his later years. Indeed its position in a deserted Mediterranean landscape seems almost certainly to have provided the inspiration for Two Muses at the Tomb of a Poet [1937, private collection]' (see R. Gibson, exhibition catalogue, loc. cit).