A LOUIS XIII GILT-BRONZE-MOUNTED TORTOISESHELL, POLYCHROME-STAINED HORN, BRASS, COPPER AND PEWTER-INLAID MARQUETRY MIRROR
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A LOUIS XIII GILT-BRONZE-MOUNTED TORTOISESHELL, POLYCHROME-STAINED HORN, BRASS, COPPER AND PEWTER-INLAID MARQUETRY MIRROR

CIRCA 1650

Details
A LOUIS XIII GILT-BRONZE-MOUNTED TORTOISESHELL, POLYCHROME-STAINED HORN, BRASS, COPPER AND PEWTER-INLAID MARQUETRY MIRROR
CIRCA 1650
The rectangular convex frame inlaid with polychrome-decorated foliate and acanthus scrolls, with stylised fleurs-de-lys to the angles, the top and bottom border centred by a royal monogram with entwined 'L' and 'A', supported by winged figures, the vertical panels with grotesque figures issuing garlands centred by the cypher a double 'A' within a ribbon-tied foliate wreath, the outer moulded border and silvered inner rim
17½ in. (44.5 cm.) x 14¾ in. (37.5 cm.)
Provenance
Anne d'Autriche (1601-1666), Queen of France.
Special notice
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Lot Essay

With its exquisite marquetry of tortoiseshell, horn, pewter and brass, this delicate Royal mirror is probably one of the earliest examples of marquetry furniture in France in the 17th Century. With the use of tortoiseshell as a ground, it predates Boulle marquetry, named after the ébéniste du Roi André-Charles Boulle (1642-1732).

ANNE D'AUTRICHE
The daughter of King Philippe III of Spain, Anne d'Autriche (1601-1666) married r the French King's death in 1643, when she became Regent and entrusted the government to the Cardinal de Mazarin, she played an important role in politics and in the arts. The choice of Mazarin was of great importance, as he was one of the most important patrons of his time. She moved the Court to the Palais-Royal in Paris, near the Palais du Louvre, where she asked Simon Vouet to decorate several of the rooms. Near her bedroom was the 'chambre du mirroir où la reine se coiffe ordinairement' (Cat. exh., Un temps d'exubérance. Les arts décoratifs sous Louis XIII et Anne d'Autriche, Paris, 2002, p.32).

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