A KOTO TANTO
FOR ILLUSTRATIONS OF THE BLADE SEE PAGE 98
A KOTO TANTO

SIGNED USHU GASSAN, MUROMACHI PERIOD (15TH-16TH CENTURY)

Details
A KOTO TANTO
Signed Ushu Gassan, Muromachi Period (15th-16th Century)
Sugata [configuration]: Hirazukuri slightly curved tanto with iorimune
Kitae [forging pattern]: ayasugihada with jinie
Hamon [tempering pattern]: hoso suguha
Boshi [tip]: somewhat indefined yakizume boshi
Horimono [carvings]: omote goma bashi and on the ura a short koshibi
Nakago [tang]: ubu
Habaki [collar]: gold covered
Nagasa [length of blade from tip to beginning of tang]: 28.4cm
Koshirae [mounting]: in its aikuchi koshirae with a black lacquer saya with areas of fine nashiji and sparsely placed gold kirikane and cherry blossoms in gold hiramaki-e, matching silver fittings engraved with leafy scrolling, menuki depicting Jo and Uba, in copper with iroe zogan, both with a besom, she is perhaps reading a letter from him, silver kogai and kozuka partly ishimeji separated by a diagonal from the upper area engraved with leafy scrolling and gilt, 19th century.

Lot Essay

The Kiami Hon Meizukushi of 1381 tells of Oniomaru, said to be the founder of the Gassan school, being one of four smiths employed by Hachiman Taro Yoshiie when he went to Oshu Province in the 11th century. However, there are few known swords which predate the Kamakura period. The earliest signed work of the school is the Juyo Bijutsuhin tachi preserved in the Dewa Sanzan shrine, which dates from the Nanbokucho period.
The smiths of the school were Yamabushi, or devotees of the Shugendo sect of mountain aescetics which originated in the absorption of Chinese esoteric Buddhism into the Japanese native Shinto religion during the eighth century. The religion was based on the Dewa Sanzan (Three Mountains of Dewa Province), Gassan, Haguro san, and Yudono san. The Gassan school survived in Dewa Province until the end of the 16th century. They frequently just signed Gassan, although sometimes also with the individual smith's name. The characteristic sinusoidal grain, ayasugi hada (cryptomeria twill), is invariably found on all works of the school until its demise in Dewa in the 16th century, although the name was later revived in Osaka by Gassan Sadayoshi during the 19th century. It may be significant that a similar hada is found on the work of the Naminohira and Jitsua smiths of Kyushu in the Heian period who are also believed to have been Shugendo adherents.

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