A RARE GILT-BRONZE AND CLOISONNÉ ENAMEL MODEL OF AN ELEPHANT
VAT rate of 5% is payable on hammer price and at 1… Read more
A RARE GILT-BRONZE AND CLOISONNÉ ENAMEL MODEL OF AN ELEPHANT

QIANLONG (1736-95)

Details
A RARE GILT-BRONZE AND CLOISONNÉ ENAMEL MODEL OF AN ELEPHANT
QIANLONG (1736-95)
The finely cast elephant elaborately decorated with harnesses and chains, the tasselled saddle blanket enamelled with a pair of bats in flight above cresting waves and clouds, the saddle supporting a tall vase decorated with lotus, the waisted stand enamelled with a formal diaper border above lotus sprays and bats
11½ in. (29.2 cm.) high
Provenance
with Spink and Son, London, 1994

Sotheby's, Monaco, 13 February 1983, lot 377
Special notice
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium

Lot Essay

An example originally from the Summer Palace now in the Victoria and Albert Museum, is illustrated by S. Bushell, Chinese Art, vol. II, London, 1924, fig. 91.

The elephant was the embodiment of strength, wisdom and intelligence and the vase represented eternal harmony. As such, elephants with vases on their backs were put beside the throne to symbolize universal peace. A pair of blue cloisonné elephants with vases on their backs can be seen flanking the elaborate throne in the Hall of Supreme Harmony in the Forbidden Palace, Beijing, in a photograph illustrated in Imperial Life in the Qing Dynasty, The Empress Palace Museum, Singapore, 1989, p. 46.

A similar pair with Qianlong reign marks and of the period, were sold in our New York rooms in The Love Collection, 20 October 2004, lot 353.

More from Fine Chinese Ceramics and Works of Art Including Export Art

View All
View All