An exceptional and rare vari-coloured gold musical automaton snuff-box
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An exceptional and rare vari-coloured gold musical automaton snuff-box

SWISS MOVEMENT, CIRCA 1820; THE BOX MOST PROBABLY RUSSIAN, CIRCA 1827

Details
An exceptional and rare vari-coloured gold musical automaton snuff-box
Swiss movement, circa 1820; the box most probably Russian, circa 1827
The domed glazed and hinged cover, enclosing a scene of the interior of a music room with vari-colour gold detail automaton of a lady seated, playing a xylophone, a conductor keeping time with a baton and a small boy accompanying with a triangle, standing beside a sleeping dog, the room behind in painted enamel with drapes and furnishings, with applied oval enamel plaque of blue guilloche set with diamond Cyrillic monogram EP to top centre, with the plain gold border inscribed in Russian July 22, 1827, set in to octagonal box with curved top and base edges, decorated with chiselled bands of green foliage and wreaths against stippled ground, the sides with applied intertwining branches and the base with a polished circular panel of mocha agate, enclosed with further foliage bands, the plain interior and first movement cover, opening to reveal pierced winding and regulator plates and decorated border, apparently unmarked, (winding key hole moved and covered), with replacement winding key, fitted in later Wartski of London red twin-door case
3 3/16 in. (8.1cm) diameter overall, 1¼in. (3.2cm) high maximum
Provenance
The Property of a Gentleman, formerly in the Matthew P. McCullough Collection of Important Musical Automata, Christie's, London, 21 April, 1964 lot 9
A Southwestern Collection, Christie's, New York, 16 April 1999, lot 27
Literature
Christie's Review of the Season, 1963-1964, London, p. 77
Exhibited
New York, 785 Fifth Avenue, Antique Automatons,1955, 785 Fifth Avenue- item No. 62
New York, 785 Fith Avenue Antique Automatonsi 1955, no. 62.
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The Cyrillic monogram applied in diamonds is that of Elena Pavlovna, née Princess Charlotte of Württemberg (1807-1873). She married Grand Duke Mikhail Pavlovich (1798 -1849) in 1824.

The date inscribed around this monogram is the feast day of St. Mary Magdalen and is thought to be the Saint's day of Maria Feodorovna, mother of Mikhail Pavlovich. Maria Feodorovna was the aunt of Elena Pavlovna as well as her mother-in-law and it is very likely that this box was a gift from the Czarina to her niece and daughter-in-law.

Elena Pavlovna was a patron of the Russian Musical Society and on a visit in 1867, Hector Berlioz was invited to play with the society. Elena Pavlovna's interest in music was enhanced at an early stage when as a small child, was educated in art, music and literature within the court. The family wished her to marry and settle in this way and this placed her passion for the creative arts at the centre of attention during a time when world-renowned composers were reaching new heights in Russia and abroad.

This musical automaton box may well have been present at the Russian Musical Society at this time and handled by the likes of Berlioz and Verdi.

The quality and attention to detail to both the movement and casework is outstanding and comparing this example to ones with just automaton action, the vari-colour gold automaton detail is, on closer inspection, much finer. The musical air which accompanies the movement is not one which appears to be recorded.

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