Marc Chagall (1887-1985)
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Marc Chagall (1887-1985)

Nu étendu

Details
Marc Chagall (1887-1985)
Nu étendu
signed 'Marc Chagall' (lower right)
pencil on paper
9 x 12¼ in. (23 x 31.2 cm.)
Drawn circa 1911
Provenance
David McNeil (the artist's son), Paris, by descent from the artist (no. D 799).
Acquired from the above by the present owners in 1987.
Literature
V. Rakitin, Chagall, Disegni inediti dalla Russia a Parigi, Milan, 1989, p. 54 (ill. p. 55).
Exhibited
Milan, Studio Marconi, Marc Chagall, Disegni inediti dalla Russia a Parigi, May - July 1988; this exhibition later travelled to Turin, Galleria della Sindone, Palazzo Reale, Dec. 1990 - Mar. 1991; Catania, Monastero dei Benedettini, Oct. - Nov. 1994; Meina, Museo e centro studi per il disegno, June - Aug. 1996.
Hannover, Sprengel Museum, Marc Chagall, "Himmel und Erde", Dec. 1996 - Feb. 1997.
Darmstadt, Institut Mathildenhöhe, Marc Chagall, Von Russland nach Paris, Zeichnungen 1906-1967, Dec. 1997 - Jan. 1998.
Abbazia Olivetana, Fondazione Ambrosetti, Marc Chagall, Il messaggio biblico, May - July 1998.
Klagenfurt, Stadtgalerie, Marc Chagall, Feb. - May 2000, p. 39 (ill.).
Florida, Boca Raton Museum of Art, Chagall, Jan. - Mar. 2002.
Special notice
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium

Lot Essay

This work is sold with a photo-certificate from David McNeil.

According to V. Rakitin, this drawing was skilfully executed by Chagall in one of the private studios he attended when he was in St. Petersburg. He would go there in the evenings with young Russian fellow artists and practice drawing from models.

The unusual and ambitious pose of the female nude leaning against the table was challenging, but Chagall easily overcame the difficulties. The fluidity of his pencil simultaneously encompasses the curves of the woman's body as well as the weight of her massive form, almost collapsed on the table. The present drawing shows an awareness of Old Master works, which Chagall would have frequently admired at the Hermitage whilst studying in St. Petersburg. He particularly had a preference for the Italian masters and 17th century Dutch artists which he shared with his beloved Bella.

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