SHAH ISMA'IL IN BATTLE WITH THE KING OF SHIRVAN
No VAT will be charged on the hammer price, but VA… Read more
SHAH ISMA'IL IN BATTLE WITH THE KING OF SHIRVAN

MU'IN MUSAVVIR, ISFAHAN, LATE 17TH CENTURY

Details
SHAH ISMA'IL IN BATTLE WITH THE KING OF SHIRVAN
MU'IN MUSAVVIR, ISFAHAN, LATE 17TH CENTURY
Gouache heightened with gold on paper, a lively battle scene against a white rocky landscape, with Shah Isma'il killing an enemy, at the centre of a group of armed cavalrymen, his grey coat with identification inscription, between six lines of black Persian nasta'liq in cloud bands on gold ground, with pink gold heightened border and gold margins with white rule, mounted on black card decorated with fine gold flowers and outer red rule, unframed, areas of minor damage
Miniature 6 x 6in. (15.2 x 15.2cm.); Folio 14 1/8 x 9¼in. (35.8 x 23.5cm.)
Provenance
Anon sale, Sotheby's London, 20 November 1986, lot 200 (to present vendor)
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis. Please note that the lots of Iranian origin are subject to U.S. trade restrictions which currently prohibit the import into the United States. Similar restrictions may apply in other countries.

Lot Essay

Another contemporary copy of the Tarikh-i Jahangusha-yi Khaqan Sahibqiran, complete with all its miniatures exists in the British Museum and it is in this example that A.H.Morton found both the title of the work and the name of the author. Eleanor Sims writes that until this juncture, the text of the manuscript had remained unidentified, but had several provisional names (Eleanor Sims, 'A Dispersed Late-Safavid copy of the Tarikh-i Jahangusha-yi Khaqan Sahibqiran, published in Sheila R. Canby (ed.) Safavid Art and Architecture, Cambridge, 2002, p. 54). Stchoukine called it a 'History of Shah Isma'il'; B.W.Robinson, writing of another miniature apparently from the same manuscript called it called it Tarikh-i 'alam ara-yi Shah Isma'il.

See also the note for the preceding lot.

More from Art of the Islamic and Indian Worlds

View All
View All