Lot Essay
Le très beau et rare Autoportrait au vase vert qui appartient à la manière "Gauguin" de Marie Laurencin est sans doute un cadeau du peintre qui date d'une période très antérieure, celle du temps heureux de leur amour. Marie Laurencin eut une place capitale dans la vie amoureuse de Guillaume Apollinaire. Leur rupture en 1912 le laissa dans un état de profonde tristesse et lui inspira plusieurs poèmes d'Alcools, notamment le "Pont Mirabeau" et "Marie" avec ce pathétique appel : "Quand donc reviendrez-vous Marie?" On soulignera la singularité de cette oeuvre sur un support de bois, sans lien véritable avec les autres autoportraits de Marie Laurencin. La force du trait, la maîtrise des couleurs, la rigueur de la composition en font une des plus belles peintures offertes par la muse à son poète.
This superb and very rare Autoportrait au vase vert was painted by Laurencin during her "Gauguin" period and was surely a gift from the artist when she and Guillaume were happily in love. Laurencin held a fundamental role in Guillaume's love life, and following their break-up in 1912 he fell into a state of despair; ultimately this became inspiration for several poems in his Alcools, notably "Le Pont Mirabeau" and "Marie", with its sad call : "When will you come back, Marie?" One must underline the singularity of the work, set on a wooden panel, and with no real connection with Laurencin's other self-portraits. The force of the brush work, the mastery of the colours and the rigour of the composition converge to make this portrait one of the most important paintings ever offered by the muse to her poet.
This superb and very rare Autoportrait au vase vert was painted by Laurencin during her "Gauguin" period and was surely a gift from the artist when she and Guillaume were happily in love. Laurencin held a fundamental role in Guillaume's love life, and following their break-up in 1912 he fell into a state of despair; ultimately this became inspiration for several poems in his Alcools, notably "Le Pont Mirabeau" and "Marie", with its sad call : "When will you come back, Marie?" One must underline the singularity of the work, set on a wooden panel, and with no real connection with Laurencin's other self-portraits. The force of the brush work, the mastery of the colours and the rigour of the composition converge to make this portrait one of the most important paintings ever offered by the muse to her poet.