VASE EN GRES EMAILLE GRIS-BLEUTE LONGQUAN, XIANWEN PING
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VASE EN GRES EMAILLE GRIS-BLEUTE LONGQUAN, XIANWEN PING

CHINE, DYNASTIE SONG DU SUD, XIIIEME SIECLE

Details
VASE EN GRES EMAILLE GRIS-BLEUTE LONGQUAN, XIANWEN PING
CHINE, DYNASTIE SONG DU SUD, XIIIEME SIECLE
Reposant sur un petit pied, la panse de forme poire agrémentée de fins anneaux moulés en léger relief, terminée par un long col tubulaire réduit et cerclé de métal, le vase et la base entièrement recouverts d'une très belle glaçure gris-bleutée rehaussée de fines craquelures ; égrenure au pied
Hauteur: 17,5 cm. (6 7/8 in.)
Special notice
No VAT will be charged on the hammer price, but VAT payable at 19.6% (5.5% for books) will be added to the buyer’s premium which is invoiced on a VAT inclusive basis
Further details
A LONGQUAN GREY-BLUE-GLAZED VASE, XIANWEN PING
CHINA, SOUTHERN SONG DYNASTY, 13TH CENTURY

Lot Essay

Vases of this form, with the raised encircling lines at the junction of shoulder and neck and the second-lowest line on the body appear to be linked to luting lines. The fine, raised lines give the shape one of its Chinese names, xianwen ping, meaning 'string pattern vase'.

Although the neck of this vase is reduced, other known similar examples give an idea of the complete shape of this type of wares.
Such vases are seen with two slightly different mouth rim types. Some, like the one sold in our Hong Kong Rooms, 1 November 2004, lot 806, have narrow mouths with sharply inverted rims ; others like the one from the Falk collection, sold in our New York Rooms, 16 October 2001 (catalogue dated 20 September 2001) have broader mouths which are shallowly dished.
Vases of this form have been excavated at Jinyucun, Suining City, Sichuan Province in 1991 and from kiln sites in the Longquan area, such as the example illustrated in Longquan Qingci Yanjiu, Beijing, 1989, pl.41, fig.1.
See other 'bamboo-neck' vases, one from the collection of the Palace Museum, Beijing is illustrated in Porcelain of the Song Dynasty (II) - The Complete Treasures of the Palace Museum, Hong Kong 1996, no.103 ; another one is illustrated in He LI, Chinese Ceramics, The New Standard Guide, Singapore 1996, p.158, pl.274.

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