拍品专文
Miniature vessels such as the present lot were particularly appreciated by the literati class. They were valued for their high artistic content, revealing at once technical perfection and aesthetic refinement combined with multiple layers of symbolism, thus stimulating the senses and the mind at the same time. They were displayed in collector's cabinets (also referred to as 'multi-tiered' treasure boxes) which were placed in the scholar's studio, as depicted in numerous genre paintings from the Ming to Qing periods. With the evolving trend towards displaying aesthetic rather than functional objects in the cabinets, this taste for the miniature reached its apogee under the reign of Qianlong.
Compare this very sweet pair of miniature Gu vases with another one bearing also a square four-character Qianlong mark, although slightly taller, illustrated in C. Brown, Chinese Cloisonné - The Clague Collection, Phoenix Art Museum, 1980, pp.118-119, pl.52.
Compare this very sweet pair of miniature Gu vases with another one bearing also a square four-character Qianlong mark, although slightly taller, illustrated in C. Brown, Chinese Cloisonné - The Clague Collection, Phoenix Art Museum, 1980, pp.118-119, pl.52.