ANOTHER PROPERTY
Paulus van Vianen (c.1570-1613)

A Design for a Plaquette: the Transformation of the Heliades

Details
Paulus van Vianen (c.1570-1613)
A Design for a Plaquette: the Transformation of the Heliades
pen and brown ink, brown wash, circular
205 mm. diam.
Provenance
Anon. sale, Christie's, London, 6 December 1972, lot 70 (as Johann Rottenhammer, 320gns. to List).
Wolfgang Ratjen, Munich.
Literature
T. Gerszi, Paulus van Vianen, Handzeichnungen, Hanau, 1982, pp. 31 and 211, no. 68, fig. 75.
J.R. ter Molen, Van Vianen, Leiderdorp, 1984, II, no. 289, and under no. 132.
E. Brugerolles, Renaissance et Maniérisme dans les Écoles du Nord, exhib. cat., Ecole des Beaux Arts, Paris, 1986, under no. 116.
W. W. Robinson, The Age of Bruegel: Netherlandish Drawings in the Sixteenth Century, exhib. cat., Washington/New York, 1986, p. 296, no. 117, illustrated.
J.A. Spicer, Adam and Eve after the Fall by Paulus van Vianen and the Interrelationship of the Arts in Prag um 1600. Beiträge zur Kunst und Kultur am Hofe Rudolfs II., Beiträge, Freren/Emsland, 1988, p. 282, footnote 27.
P. Schatborn in Dawn of the Golden Age, Northern Netherlandish Art 1580-1620, exhib. cat., Amsterdam, 1993-4, p. 508, under no. 187, note 6.

Lot Essay

Wolfgang Wegner was the first to recognize this drawing as an early drawing by Van Vianen in 1973. The composition was used in a bronze plaquette executed by Van Vianen or his workshop, which probably dates from the early 17th Century (J.W. Frederiks, Dutch Silver, Embossed Ecclesiastical and Secular Plates from the Renaissance to the End of the 18th Century, The Hague, 1961, 4, no. 81, and Ter Molen, op.cit., no. 132), now in a private collection. A copy after the present lot is in the Kupferstichkabinett, Dresden (inv. no. 36). This design may be compared to that in the École Nationale Supérieure des Beaux-Arts, Paris (Gerszi, op.cit., p. 211, no. 70, fig. 77; Ter Molen, op.cit., no. 194), which may be dated circa 1607, and which was used for a silver Tazza, now in the Rijksmuseum, Amsterdam (Ter Molen, op.cit., no. 20).

More from Dutch, Flemish and German Old Master Drawings

View All
View All