A GEORGE IV ROSEWOOD AND EBONY WRITING-TABLE
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A GEORGE IV ROSEWOOD AND EBONY WRITING-TABLE

CIRCA 1820

Details
A GEORGE IV ROSEWOOD AND EBONY WRITING-TABLE
CIRCA 1820
The canted rectangular top above a plain frieze enclosing a pair of mahogany-lined drawers, on panelled spreading square supports joined by a faceted baluster stretcher, each pedestal with a square panelled plinth and square panelled feet with partly-sunk brass castors, the underside of one drawer inscribed in blue chalk 'Gashion 58'
29 in. (73.5 cm.) high; 71¾ in. (182 cm.) wide; 27½ in. (70 cm.) deep
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The library sofa writing-table, featuring Grecian Egyptian elements is conceived in the French antique fashion promoted by the connoisseur Thomas Hope's Household Furniture and Interior Decoration, 1807. Grecian-black Egyptian reeds band its cut-cornered tablet of marbled and black-figured rosewood, as well as the castor-concealing plinths of its sloped 'altar' pillars. The latter's form relates, for instance, to a Hope pedestal pattern, but lacks the latter's sculpted tripod element of 'Apollo' griffin (ibid., pl. 24). Its robust form typifies the Tenterden Street furniture manufactured by the Liverpool and London cabinet-maker George Bullock (d. 1818), one of whose 'Egyptian' furnishing patterns would appear to be that later published in December 1822 in Rudolph Ackermann's Repository of Arts (pl. 129).

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