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A PAIR OF GEORGE II GILTWOOD WALL BRACKETS

CIRCA 1740

Details
A PAIR OF GEORGE II GILTWOOD WALL BRACKETS
CIRCA 1740
Each with rectangular platform above a foliate-carved scrolled corbel, one with front edge replaced, regilt
20¼ in. (51 cm.) high; 11½ in. (29.5 cm.) wide; 9 in. (23 cm.) deep; (2)
Special notice
Buyers from within the EU: VAT payable at 17.5% on just the buyer's premium (NOT the hammer price) Buyers from outside the EU: VAT payable at 17.5% on hammer price and buyer's premium. If a buyer, having registered under a non-EU address, decides that an item is not to be exported from the EU, then he/she should advise Christie's to this effect immediately.

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Lot Essay

Intended for busts, vases or candelabra, these golden brackets have Ionic wave-scrolled volutes enwreathed by Roman acanthus foliage. While derived in part from the court architect John Vardy's publication of a Roman vase-truss pattern by the Rome-trained artist and court architect William Kent (d. 1748); their Venus pearled enrichments are indebted to Robert Wood's 1753 engraving of an Apollonian temple-door truss, such as Vardy (d. 1765) introduced in 1758 in his work at Spencer House, London (see J. Vardy, Some Designs of Mr. Inigo Jones and Mr. William Kent, 1744, pl. 20; R. Wood, The Ruins of Palmyra, 1753, pl. 47; and J. Friedman, Spencer House, London, 1993, fig. 55).

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