細節
宋 黑漆蓮瓣式高足盤

盤呈蓮瓣形,共十二瓣,折沿,下承中空高圈足。通體光素無紋飾,盤心坦平,內外髹黑漆。底朱漆書「存置」。

宋代的漆器,色澤深暗,連木紋也深深印入漆裡,器物上有細碎牛毛紋。此器正是典型之作。
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Tokyo Bijutsu Club, Japan, 1970, Chinese Lacquer, Catalogue, no. 54 Tokyo National Museum, Japan, 1977, Oriental Lacquer Arts, Catalogue, no. 485
The Museum of East Asian Art, Cologne, 1990, Dragon and Phoenix, Chinese Lacquer Ware, The Lee Family Collection, Catalogue, no. 23
Los Angeles County Museum of Art, 1990/91
The Shoto Museum of Art, Shibuya, Japan, 1991, Chinese Lacquerware, Catalogue, no. 11

榮譽呈獻

Carrie Li
Carrie Li

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拍品專文

This unusual form can be seen in another undecorated black lacquer high footed tray illustrated by Lee Yu-kuan, Oriental Lacquer Art, Tokyo and New York, 1972, p. 82, no. 23; where the author mentions that the character yu inscribed on the base of the cited tray indicates its use as a sacrificial vessel. The two characters inscribed on the present tray Cunzhi, probably designate a collector's name.

更多來自 千文萬華 ─ 李氏家族重要漆器珍藏(II)

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