A RARE CARVED TIXI CINNABAR LACQUER DISH

細節
宋 剔犀雲紋圓盤

盤圓形,矮圈足。表面髹朱漆,內有黑漆層兩道。盤心雕五瓣花一朵,周圍飾兩層共十五朵如意雲紋,盤外壁雕十朵雲紋。底髹褐漆。

此盤堆漆肥厚,刻工圓潤,造型嬌小玲瓏,惹人喜愛。
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The Museum of East Asian Art, Cologne, 1990, Dragon and Phoenix, Chinese Lacquer Ware, The Lee Family Collection, Catalogue, no. 7
Los Angeles County Museum of Art, 1990/91
The Shoto Museum of Art, Shibuya, Japan, 1991, Chinese Lacquerware, Catalogue, no. 21

榮譽呈獻

Carrie Li
Carrie Li

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A larger Yuan dynasty tray of similar pattern to the current example has been published by Hu Shih-chang in Chinese Lacquer, National Museums of Scotland Publishing, Edinburgh, 1998, p. 25, no. 5. The author refers to his research with Lee King-tsi published as 'On Chinese Tixi Lacquer', Orientations, September, 1993, pp. 65-8, and notes that the 'spectacle-shaped' patterns on the upper surface have narrow nose bridges, while those on the underside are truncated, and there are irregular cracks in the black lacquer base. These features, shared by the current tray, are all features of 13th/14th century lacquers. Compare also a dish of similar size and decoration to the Edinburgh dish sold at Christie's London, 7 November 2007, lot 55.

While the Edinburgh dish has three rows of ruyi designs, the current vessel has two, and this feature is shared by another similarly-sized dish in the Metropolitan Museum, New York (illustrated by James C.Y. Watt and Barbara Brennan Ford in East Asian Lacquer - the Florence and Herbert Irving Collection, Metropolitan Museum of Art, 1991, p, 53, no. 8). However, the latter dish has black lacquer as its upper layer and a different design in the centre. On both the New York dish and the current example, it is possible in some areas to see the fabric which covers the wooden core of the vessel under the lacquer. Both the Edinburgh and New York dishes have been dated to the 14th century.

更多來自 千文萬華 ─ 李氏家族重要漆器珍藏(II)

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