A VERY RARE LARGE FLORAL-LOBED BLACK LACQUER 'CAMELLIA' DISH

細節
元 剔黑茶花葵口盤

盤呈葵瓣式,共十瓣,隨形圈足。通體朱漆素地地上雕黑漆,盤面滿雕茶花,或盛開,或含苞欲放;枝葉茂盛,肥腴圓潤,舒捲自如,生動有致。盤背剔香草紋。底髹黑漆。

此器漆色烏亮,剔刻用刀犀利,線條峻深圓潤,甚具元朝雕漆的特色。明代著名漆匠黃成在《髹飾錄》中記載道:「剔黑,即雕黑漆也,製比雕紅則敦樸古雅。」剔黑器色彩紅黑相間,樸素高雅,但不如剔紅器的華麗富貴,取悅於人。故其製作數量亦遠遠少於剔紅器。

傳世品中元朝雕漆器寥寥無幾,剔黑器更為珍罕。此器為研究元朝雕漆提供了寶貴資料。
展覽
Los Angeles County Museum of Art, 1990/91
The Shoto Museum of Art, Shibuya, Japan, 1991, Chinese Lacquerware, Catalogue, no. 83

榮譽呈獻

Carrie Li
Carrie Li

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拍品專文

Examples of carved black tihei lacquer dating to the Song and Yuan dynasties are far less common that their cinnabar lacquer counterparts and the few extant examples are mainly found in Japanese or Western public collections as noted in the catalogue entry to a Song/Yuan black lacquer birds dish included in the Bukchon Art Museum 2008 exhibition, East Asian Lacquer, p. 38, Catalogue no. I-8.

It is especially rare to find a tray decorated with flowers as the primary design as most examples of this date include pairs of birds on a floral ground such as lot 1817 in the present sale. The design is extremely successful in this instance and the craftsman has made wonderful use of the deep layers of lustrous black lacquer to depict the different planes of overlapping and furled leaves.

Compare the floral design on the present example to that found on a Yuan lobed black lacquer square dish illustrated by Lee Yu-kuan, Oriental Lacquer Art, Tokyo and New York, 1972, p. 136, no. 69.

更多來自 千文萬華 ─ 李氏家族重要漆器珍藏(II)

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