FRANÇOIS DUMONT, circa 1777

細節
FRANÇOIS DUMONT, circa 1777

A highly important miniature of Queen Marie-Antoinette of France seated at her secretaire and writing a letter, wearing a low-cut lilac rich silk dress bordered with white frill, her high-piled grey-powdered hair adorned with a frill-set white gauze cap, a pearl bracelet slung around her right wrist, an open letter inscribed "Votre Majesté" lying on her secretaire; columns and gold-bordered russet drapery with gold tassels in the background; oval -- 109 mm high, very fine silver frame with gilt reverse and rose-cut diamond-set rim surrounded by an openwork foliage and ribbon border studded with rose-cut diamonds.
來源
New York, Collection of John Pierpont Morgan (1837-1913); his sale, Christie's, London, 24-27 June 1935, lot 499, illustr., sold 131.5 pounds; Milan, Innocenti Collection.
出版
George C. Williamson, Catalogue of the Collection of Miniatures, The Property of J. Pierpont Morgan, vol. IV, London, 1908, pp. 55-56, nr 604, illustr. pl. CCXI; Pierre de Nolhac, Marie-Antoinette, Paris, 1936, illustr. p. 132; Charles Kunstler, "Marie-Antoinette et ses portraits", Le Jardin des Arts, 38, December 1957, illustr. p. 117; Léo R. Schidlof, La miniature en Europe, Graz, 1964, vol. I, p. 232 (described as "typique pour la première période").

拍品專文

This miniature is among the first portraits d'apparat of the Queen by the hand of Dumont who was appointed Peintre de la Reine. In addition to its artistic quality and unusual size, this outstanding miniature offers a particularly interesting history. Williamson (ibid.) relates its story: "A very interesting story has come to light concerning this miniature. It appears that it was thrown out of the Palace windows by a soldier at the time of the Reign of Terror, when the Queen was taken captive, and picked up from the grass, with another similar portrait, by two children. They kept it until they had grown up, and one of them came over to England and became governess in the family of an English nobleman. To her little charges, the governess gave the two miniatures, then without frames, not deeming them to be of much value, and they adorned the walls of a doll's house for some time. The late Queen Victoria on one occasion visited the children's parents and was shown the doll's house, on which they had lavished considerable attention, and the Queen at once recognized that the miniatures were of great value and persuaded the children to return their prizes to their governess, recommending her to keep them as precious treasures; memorials of the dreadful Revolution. In course of time the governess returned to France bearing with her the miniatures, but she fell upon evil times and had to raise money upon the two portraits, and when she died they were at a bank as a security for a loan. From thence they were sold by the bankers, passing into the hands of the person who eventually disposed of them to Mr. Morgan. [...] Of the authenticity of this story, as regards the portrait of the Queen, there is no doubt whatever."