拍品專文
The inscriptions include quotations from the Qur'an, call to God to bless Muhammad and the Twelve Imams, nada 'ali quatrain and talismanic inscriptions. The quality of decoration on this "magic" bowl is extremely high, partly obscured by a thin coating of dark lacquer which conceals how much of the original remains. Of particular note is the silver inlay outlining the zodiac panels and flanking the inscription bands on the exterior which is extremely rare to find in Safavid art after the battle of Chaldiran. A relatively reliable sequence of development of these bowls can be built up using dated examples. The present bowl is very similar to one in these Rooms 10 October 2006, lot 28 which was inscribed "Started on the 12 Ramadan [1020], finished on 10 Rabi' I, 1021" (18 November 1611-11 May 1612), and another, included here on 16 October 2001, lot 324, which was inscribed "beginning 27 Ramadan 1019 and finishing 17 Rabi' II 1020 (13 June 1610-29 June 1611).
For a discussion of Safavid brass magic bowls please see Emily Savage-Smith, "Safavid Magic Bowls", in Jon Thompson and Sheila Canby (eds.), The Hunt for Paradise, New York and Milan, 2003, pp.240-247.
For a discussion of Safavid brass magic bowls please see Emily Savage-Smith, "Safavid Magic Bowls", in Jon Thompson and Sheila Canby (eds.), The Hunt for Paradise, New York and Milan, 2003, pp.240-247.