A FINELY PAINTED BLUE AND WHITE BALUSTER JAR, GUAN
THE PROPERTY OF A FAR EASTERN COLLECTOR
A FINELY PAINTED BLUE AND WHITE BALUSTER JAR, GUAN

細節
元 青花纏枝牡丹紋罐

罐直口,短頸,圓肩,斂腹,圈足。內外施白釉,外壁通體繪青花紋飾,由上至下以雙絃線間四層紋飾。頸上繪纏枝梔子花,肩部繪纏枝蓮花,腹部繪纏枝牡丹,六朵牡丹婀娜多姿,或仰或覆,互相纏繞,葉片豐腴,花邊作白色聯珠狀。近足處繪仰蓮瓣。

此罐造型規整,端莊飽滿。紋飾繪畫自然流暢,構圖繁而不亂,有層次感。元代大青花器用外來青料,發色如此器呈寶石藍色而帶黑色斑點,鮮艷明亮。北京故宮博物院藏一件與此器非常相似的青花罐,見香港商務印書館出版北京故宮博物院藏文物珍品全集《清花釉裡紅‧上》圖版6。

此罐源自靜觀堂收藏,1992年及1997年分別於星加坡和香港大學展出,1997年3月20日於紐約佳士得靜觀堂專拍中拍出,拍品69號。
來源
The Jingguantang Collection, Part II, sold at Christie's New York, 20 March 1997, lot 69
展覽
Gems of Chinese Art, The Empress Place Museum, Singapore, 1992, Catalogue no. 73
Art Treasures from Shanghai and Hong Kong, The University of Hong Kong, 9 November 1996 - 25 January 1997, Catalogue no. 43

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拍品專文

A few Yuan dynasty jars decorated with this peony design are published. The present jar is among a group that is considered to be successfully fired resulting in its bright sapphire-blue colour and well rendered in its painting style. This same decorative pattern, also with the 'blackberry lily' band encircling the short neck, is found on a slightly smaller jar (27.2 cm.) in the Tokyo National Museum, illustrated in Oriental Ceramics, the World's Great Collections, Kodansha Series, vol. 1, 1982, no. 111. Compare with three other jars of similar size but all with a band of 'breaking waves' design encircling the short neck instead. The first jar is illustrated in Sekai Toji Zenshu, Shogakukan Series, vol. 13, fig. 123; the second, in the Shanghai Museum, illustrated by Wang Qingzheng, Underglaze Blue and Red, 1987, p. 38, no. 22; and the third was sold at Christie's Hong Kong, 24 October 1993, lot 716.

Another group of peony jars decorated with a band of classic scrolls below the main band of peony scroll are published. Cf. a jar found in 1979 at Yenjialing, Baotou City, Inner Mongolia, included in the exhibition, The Silk Road, The Empress Place Museum, Singapore, 1991, p. 139; and another was included in the Exhibition of Oriental Ceramics, Tokyo National Museum, 1978, and illustrated in the Catalogue, no. 61.

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