Georges Vantongerloo (1886-1965)
No VAT will be charged on the hammer price, but VA… Read more PROPERTY OF A GENTLEMAN
Georges Vantongerloo (1886-1965)

COMPOSITION y=-x2+3x+10

Details
Georges Vantongerloo (1886-1965)
COMPOSITION y=-x2+3x+10
dated and inscribed 'COMPOSITION y=-x2+3x+10 1934' (in the lower margin); numbered '85' (upper left)
gouache, watercolour, brush and pen and India ink on paper
11 x 7¼ in. (28.3 x 18.6 cm.)
Executed in 1934
Provenance
Max Bill, Zurich, by whom acquired directly from the artist.
Angela Thomas Bill, Zurich, by descent from the above.
Annely Juda Fine Art, London (no. GV0070).
Acquired from the above by the present owner in 2002.
Exhibited
London, Annely Juda Fine Art, Naum Gabo, Georges Vantongerloo, Friedrich Vordemberge-Gildewart, October - December 2001, no. 40 (illustrated p. 50).
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

This gouache was executed while Georges Vantongerloo was involved in the Abstract-Création movement, which he co-founded in 1931 with Auguste Herbin and Jean Hélion to promote abstract art during the period in the 1920s and 1930s when contemporary art trends in Paris had turned towards Surrealism and other representational art.

Originally part of the De Stijl movement, Vantongerloo, a Belgian abstract painter, was strongly influenced by the horizontal and vertical constructions associated with Mondrian. After moving to France in 1921, over the next two decades, Vantongerloo constructed his works following geometric and later algebraic formulae, evidenced in this work which is related to the oil -x2+3x+10 = y rouge-vert-noir, 1934 (no. 85 in the artist's Oeuvre-Catalogue). Writing of the influence of mathematics at the very foundation of his work, the artist described how even 'my studies at school and at the Beaux-Arts went hand in hand with Euclidean geometry' (op.cit p. 53). As the artist Max Bill, a previous owner of this gouache, describes, during this time Vantongerloo developed 'the horizontal-vertical system of relationships to masterly perfection, wresting ever new possibilities from these limited structures' (M. Bill, in exhib. cat. Georges Vantongerloo, Marlborough New London Gallery, 1962, p. 5).

More from Impressionist/Modern Works on Paper

View All
View All