A PIEDMONTESE CARVED BOXWOOD FRAME ATTRIBUTED TO GIUSEPPE MARIA BONZANIGO AND WORKSHOP, TURIN, CIRCA 1790, CONTAINING A MINIATURE AFTER JEAN-ANTOINE LAURENT
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A PIEDMONTESE CARVED BOXWOOD FRAME ATTRIBUTED TO GIUSEPPE MARIA BONZANIGO AND WORKSHOP, TURIN, CIRCA 1790, CONTAINING A MINIATURE AFTER JEAN-ANTOINE LAURENT

A young lady, full-length holding an olive branch, standing before a tree in a wooded landscape, in white dress, fichu, bandeau in curling hair, blue silk slippers, foliate background with a stream

Details
A PIEDMONTESE CARVED BOXWOOD FRAME ATTRIBUTED TO GIUSEPPE MARIA BONZANIGO AND WORKSHOP, TURIN, CIRCA 1790, CONTAINING A MINIATURE AFTER JEAN-ANTOINE LAURENT
A young lady, full-length holding an olive branch, standing before a tree in a wooded landscape, in white dress, fichu, bandeau in curling hair, blue silk slippers, foliate background with a stream
on parchment
rectangular, 6 7/8 x 4½ in. (174 x 116 mm.), within a micro-carved easel frame attributed to Giuseppe Maria Bonzanigo, late 18th Century, the vertical borders centred with navette-shaped reserves with carved trophies of the liberal arts, urns and wheat sheaves below, foliate scrolls and trumpets above, the upper horizontal border centred with circular plaque with initial 'B' surmounted by a laurelled figure and flanked by horns of plenty with outpouring coins carved with letters, the lower horizontal border centred with a bull's head and flanked by foliate swags, the four corners set with two profiles of Pliny, one of Socrates and one of Aristotle, classical figures, outer twisted ribbon border
A printed paper label on the reverse reads 'Bois. Cadre, délicatement sculpté par un de [mei]lleurs élèves de Bonzanigo. Aux [....] têtes de profil des deux Pline, de Socrate et d'Aris[totle] sur les cotes, des trophées d'armes; en haut, dans un écusson, la lettre B, initiale de Bonzanigo; en bas entre deus guirlandes, une tête de taureau, arme par- lante de Torino (Turin), où le grand artiste a passé toute sa vie artistique. Haut., 285 millim; larg., 220 millim.'
Provenance
Presumably acquired by George John, 2nd Earl Spencer (1758-1834), for Spencer House, London or Althorp, Northamptonshire.
Special notice
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Lot Essay

Giuseppe Maria Bonzanigo (d. 1820) and his workshop received particularly great acclaim for their microscultura and counted the House of Savoy and subsequently Napoleon among their many patrons. The almost microscopic details - the fanciful vases, flowers, foliage and coin garlands spilling from cornucopiae as well as the portrait medallions to the corners - are typical of Bonzanigo's oeuvre and can be found in a number of related micro-carvings and miniature frames by him, including an intriguing relief-carved self-portrait of circa 1795 (see C. Bertolotto and V. Villani (eds.), 'Giuseppe Maria Bonzanigo: Intaglio minuto e grande decorazione', Exhibition Catalogue, Venaria, 1989, p. 32) and a portrait relief of Napoleon Bonaparte, sold Sotheby's, Amsterdam, 27 March 2007, lot 1208 (Euro 108,000).

The present portrait miniature derives from a signed and dated work of 1791 by French artist Jean-Antoine Laurent (1763-1832), formerly in the Pierre de Regaini Collection, Paris, sold Christie's London, 10 December 2002, lot 96, and now in the Emil S. Kern Collection, Winterthur, Switzerland (B. Hofstetter, Die Welt der Bildnisminiatur. Meisterwerke aus der Sammlung Emil S. Kern, Bern, 2008, illustrated pp. 150-151).

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