拍品專文
In the archival records, the unusual colour of the present vase is known as "transparent tea yellow". This shape of vase was being made as early as the Yongzheng period, and a transparent blue glass example with an engraved Yongzheng four-character mark in the collection of the Palace Museum, Beijing, is illustrated by Zhang Rong (ed.), Luster of Autumn Water - Glass of the Qing Imperial Workshop, Forbidden City Publishing House, 2005, p. 124, no. 6. Also illustrated are two opaque glass examples of this attractive shape, both with Qianlong marks - one turquoise, no. 22, the other blue, no. 23.