CAMPBELL, Thomas. The Pleasures of Hope, with other Poems. London: A. and R. Spottiswoode for Longman, Hurst, Rees, Orme, and Brown, 1822. 12o. Engraved vignette on title (dated 1820), 3 engraved vignettes (some light spotting). Contemporary dark blue straight-grained morocco gilt, edges gilt concealing a fore-edge painting of DOUGLAS, ISLE OF MAN. Provenance: Edward Laurence Doheny (bookplate). -- BLOOMFIELD, Robert. Poems. London: S. and J. Bentley, Wilson, and Flay for John Van Voorst, 1845. 8o. Numerous engraved illustrations (some light spotting). Contemporary green morocco gilt, edges gilt conccealing a fore-edge painting of DUBLIN by Hayday; Brown morocco gilt pull-off case by Sangorski & Sutcliffe. Provenance: Mrs. Harlridge (presentation inscription from her husband dated January 1877). Weber I, p.175. -- MONTGOMERY, James. The Poetical Works of James Montgomery in Four Volumes. London: Longman, Orme &Co., 1841. 4 volume
CAMPBELL, Thomas. The Pleasures of Hope, with other Poems. London: A. and R. Spottiswoode for Longman, Hurst, Rees, Orme, and Brown, 1822. 12o. Engraved vignette on title (dated 1820), 3 engraved vignettes (some light spotting). Contemporary dark blue straight-grained morocco gilt, edges gilt concealing a fore-edge painting of DOUGLAS, ISLE OF MAN. Provenance: Edward Laurence Doheny (bookplate). -- BLOOMFIELD, Robert. Poems. London: S. and J. Bentley, Wilson, and Flay for John Van Voorst, 1845. 8o. Numerous engraved illustrations (some light spotting). Contemporary green morocco gilt, edges gilt conccealing a fore-edge painting of DUBLIN by Hayday; Brown morocco gilt pull-off case by Sangorski & Sutcliffe. Provenance: Mrs. Harlridge (presentation inscription from her husband dated January 1877). Weber I, p.175. -- MONTGOMERY, James. The Poetical Works of James Montgomery in Four Volumes. London: Longman, Orme &Co., 1841. 4 volumes, small 8o. Half titles, engraved frontispiece and engraved title in each volume, text surrounded by single-rule border. Contemporary black morocco gilt, edges gilt concealing fore-edge paintings of THE MOUNT, SHEFFIELD; MALMSBURY ABBEY; SKIPTON CASTLE and LEAMINGTON CHURCH AND PUBLIC BATHS. Provenance: F. Dinsdale (bookplate). Weber I, p.174. -- CHURCHILL, Charles. Poems. London: for John Churchill and W. Flexney, 1766. 2 volumes, 8o. Half title. Contemporary tan calf gilt, edges gilt concealing fore-edge paintings of A STAGECOACH IN THE SNOW and A FISHING VILLAGE. Provenance: Henry Matthews (ownership signature in ink). Provenance for the lot: Estelle Doheny (bookplate; her sale Christie's New York, 21 February 1989, lot 1922). (8)

Details
CAMPBELL, Thomas. The Pleasures of Hope, with other Poems. London: A. and R. Spottiswoode for Longman, Hurst, Rees, Orme, and Brown, 1822. 12o. Engraved vignette on title (dated 1820), 3 engraved vignettes (some light spotting). Contemporary dark blue straight-grained morocco gilt, edges gilt concealing a fore-edge painting of DOUGLAS, ISLE OF MAN. Provenance: Edward Laurence Doheny (bookplate). -- BLOOMFIELD, Robert. Poems. London: S. and J. Bentley, Wilson, and Flay for John Van Voorst, 1845. 8o. Numerous engraved illustrations (some light spotting). Contemporary green morocco gilt, edges gilt conccealing a fore-edge painting of DUBLIN by Hayday; Brown morocco gilt pull-off case by Sangorski & Sutcliffe. Provenance: Mrs. Harlridge (presentation inscription from her husband dated January 1877). Weber I, p.175. -- MONTGOMERY, James. The Poetical Works of James Montgomery in Four Volumes. London: Longman, Orme &Co., 1841. 4 volumes, small 8o. Half titles, engraved frontispiece and engraved title in each volume, text surrounded by single-rule border. Contemporary black morocco gilt, edges gilt concealing fore-edge paintings of THE MOUNT, SHEFFIELD; MALMSBURY ABBEY; SKIPTON CASTLE and LEAMINGTON CHURCH AND PUBLIC BATHS. Provenance: F. Dinsdale (bookplate). Weber I, p.174. -- CHURCHILL, Charles. Poems. London: for John Churchill and W. Flexney, 1766. 2 volumes, 8o. Half title. Contemporary tan calf gilt, edges gilt concealing fore-edge paintings of A STAGECOACH IN THE SNOW and A FISHING VILLAGE. Provenance: Henry Matthews (ownership signature in ink).

Provenance for the lot: Estelle Doheny (bookplate; her sale Christie's New York, 21 February 1989, lot 1922). (8)

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