A PAIR OF LOUIS XVIII ORMOLU CANDELABRA
A PAIR OF LOUIS XVIII ORMOLU CANDELABRA

CIRCA 1815-25

Details
A PAIR OF LOUIS XVIII ORMOLU CANDELABRA
CIRCA 1815-25
Each fluted column headed by an urn mounted with three swagged bacchic masks and reversible nozzle with berried finial and laurel wreath, the three scrolled foliate branches with vase nozzles and lotus cast drip-pans, on spreading socle with Vitruvian scrolls and stepped eared plinth
15 in. (38 cm.) high (2)
Provenance
The late Sir Cecil Beaton, CBE, Reddish House, Broadchalke, Wiltshire, sold Christie's house sale, 9-10 June 1980, lot 68.

Brought to you by

Amelia Elborne
Amelia Elborne

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

These beautiful candelabra were executed at the beginning of the 19th Century although in a slightly earlier style - almost certainly by a bronzier who either worked or trained in the techniques of the ancien régime. The design of the branches, consisting of a double scroll, relates to a project of 1768 for a wall-light executed by Philippe Caffiéri for the Royal Palace in Warsaw (H. Ottomeyer/P.Pröschel, Vergoldete Bronzen, Munich, 1986, vol. I, p. 189, fig. 3.10.2). The quality of the gilding, chasing and burnishing are all extremely high. The chased surfaces have a matt, almost powdery finish, also called matte sablé or matte mercure, a technique developed by Pierre Gouthière at the end of the 18th Century, whereby chased ormolu items are probably wrapped in a crust of salt and placed over a source of heat. The salt would penetrate into the chased parts which would result in highly matt finish. This technique became widespread during the Empire period.

More from The Gothick Pavilion - Byron to Beaton

View All
View All